Books Received

{ 297 } Books Received Bartels, Emily C. Speaking of the Moor: From Alcazar to Othello. Philadelphia: University of Pennsylvania Press, 2008. Bhatia, Nandi, ed. Modern Indian Theatre: A Reader. New York: Oxford University Press, 2009. Brown, Jayna. Babylon Girls: Black Women Performers and the Shaping of the Modern. Durham, N.C.: Duke University Press, 2008. Chapman, Don. Oxford Playhouse: High and Low Drama in a University City. Hertfordshire: University of Hertfordshire Press, 2008. Doyle, Brian Leahy. Encore! The Renaissance of Wisconsin Opera Houses. N.p.: Wisconsin Historical Society Press, 2009. Everett, William. Rudolf Friml. Urbana: University of Illinois Press, 2008. Fisher, James.Understanding Tony Kushner. Columbia: University of South Carolina Press, 2008. Forman,Valerie. Tragicomic Redemptions: Global Economics and the Early Mod­ ern English Stage. Philadelphia: University of Pennsylvania Press, 2008. Gurr, Andrew. The Shakespearean Stage: 1574–1642. 4th ed. New York: Cambridge University Press, 2009. Harrington, John P., ed. Irish Theater in America: Essays on Irish Theatrical Di­ aspora. Syracuse: Syracuse University Press, 2009. Hubbard, Valorie, and Lea Tolub Brandenburg. The Actor’s Workbook: How to Become a Working Actor. Boston: Pearson Education, 2009. Jiang, Jin. Women Playing Men: Yue Opera and Social Change in Twentieth-­ Century Shanghai. Seattle: University of Washington Press, 2009. Kennedy, Dennis. The Spectator and the Spectacle: Audiences in Modernity and Postmodernity. New York: Cambridge University Press, 2009. Lal, Ananda, ed. Theatres of India: A Concise Companion. New York: Oxford University Press, 2009. { 298 } Books Received Magee, Gayle Sherwood. Charles Ives Reconsidered. Urbana: University of Illinois Press, 2008. Marranca, Bonnie. Performance Histories. New York: PAJ Publications, 2008. McEvoy, Sean. Ben Jonson: Renaissance Dramatist. Edinburgh: Edinburgh University Press, 2008. Mee, Erin B. Theatre of Roots: Redirecting the Modern Indian Stage. London: Seagull, 2008. Nathans, Heather S. Slavery and Sentiment on the Ameri­ can Stage, 1787–1861: Lift­ ing the Veil of Black. New York: Cambridge, 2009. Opstad, Fillian. Debussy’s Melisande: The Lives of Georgette Leblanc, Mary Gar­ den and Maggie Teyte. Woodbridge, Suffolk: Boydell Press, 2009. Papa, Lee, ed. Staged Action: Six Plays from the Ameri­ canWorkers’Theatre. Ithaca: Cornell University Press, 2009. Plunka, Gene. Holocaust Drama: The Theater of Atrocity. New York: Cambridge University Press, 2009. Roach, Joseph. It. Ann Arbor: University of Michigan Press, 2007. Rozik, Eli. Generating Theatre Meaning: A Theory and Methodology of Perfor­ mance Analysis. Portland: Sussex Academic Press, 2008. Sagala, Sandra K. Buffalo Bill on Stage. Albuquerque: University of New Mexico Press, 2008. Schweitzer, Marlis. When Broadway Was the Runway: Theater, Fashion, and Ameri­ can Culture. Philadelphia: University of Pennsylvania Press, 2009. Shand,G.B.TeachingShakespeare:PassingItOn.Malden,Mass.:Wiley-­ Blackwell, 2009. Taylor, Diana, and Sarah J. Townsend, ed. Stages of Conflict: A Critical Anthology of Latin Ameri­ can Theater and Performance. Ann Arbor: University of Michi­ gan Press, 2008. Turnbull, Olivia. Bringing Down the House: The Crisis in Britain’s Regional The­ atres. Chicago: University of Chicago Press, 2008. Woodruff,Paul.The Necessity of Theater: The Art of Watching and BeingWatched. Oxford: Oxford University Press, 2008. Zarhy-­ Levo,Yael. The Makings of Theatrical Reputations: Studies from the Mod­ ern London Theatre. Iowa City: University of Iowa Press, 2008. ...