Contributors
- Contributors
Layachi El Habbouch is a Moroccan PhD candidate affiliated wtih the Moroccan Cultural Studies Centre at the University of Sidi Mohamed Ben Abdellah, Fes. He is currently writing a dissertation on Britain through Moroccan Eyes under the supervision of Dr. Khalid Bekkaoui. His academic interests are inspired by the new insights of cultural studies, postmodern and postcolonial discourse analysis, Occidentalism, cultural translation, and the Clash of Civilizations theory.
Jay L. Halio, Professor Emeritus of English and Theatre at the University of Delaware, has written extensively on Shakespeare and modern literature. He is currently editing the New Variorum edition of All’s Well That Ends Well.
Maurice Hunt, Research Professor of English at Baylor University, is the author of Shakespeare’s Romance of the Word, Shakespeare’s Labored Art, Shakespeare’s Religious Allusiveness: Its Play and Tolerance, Shakespeare’s “As You Like It”: Late Elizabethan Culture and Literary Representation, and—most recently—Shakespeare’s Speculative Art, an analysis of literal and figurative mirrors in selected plays. He is also editor of volumes on The Tempest and other late dramatic romances and on A Midsummer Night’s Dream in the MLA Approaches to Teaching World Masterpieces series as well as co-editor of the volume on Othello.
Elizabeth Hutcheon is a Visiting Assistant Professor at Huntingdon College in Montgomery, Alabama. Her research focuses on the interplay between gender and humanist pedagogy in Shakespearean drama.
Yeeyon Im is Assistant Professor of English at Yeungnam University in South Korea, where she teaches Shakespeare and drama. Im has published widely on early modern drama and contemporary theater. Her articles on intercultural Shakespeare productions of Lee Yountaek and Ninagawa Yukio have appeared in Theatre Journal (2008) and Shakespeare Bulletin (2004). Her current research focuses on Shakespeare musicals and popular culture.
Ann Eljenholm Nichols is based in Cambridge, England, where she is engaged in the Index of Images project. She has completed the first fascicle for the Cambridge colleges and is currently working on the second, An Index of Images c. 1380–c. 1509 (Harvey Miller, 2008). [End Page 455]
Freddie Rokem is the Emanuel Herzikowitz Professor for Nineteenth and Twentieth Century Art and teaches in the Department of Theatre Studies at Tel Aviv University. He is the author of Performing History: Theatrical Representations of the Past in Contemporary Theatre (University of Iowa Press, 2000), which received the ATHE Prize for best theater studies book (2001), and Philosophers and Thespians: Thinking Performance (Stanford University Press, 2010), among other books.
Matthew J. Smith is a doctoral candidate and Provost Fellow in the Department of English at the University of Southern California. He has published recently on belief in Hamlet and on the relation between economics and virtue in the plays of Philip Massinger.
Carolyn Tilghman is Associate Professor of English at the University of Texas at Tyler, where she teaches late nineteenth and twentieth-century British literature and literary theory. Her primary research interests are literary modernism, feminist theory, and autobiographical studies. She is the author of published articles on Wyndham Lewis, D. H. Lawrence, the British Women’s Cooperative Guild, Constance Lytton, and Luce Irigaray. [End Page 456]
