Abstract

This paper deals with three kinds of poetical nihilism the annihilation of the poetic subject in Fernando Pessoa’s heteronymic writing; the apophatic definition of the divine demiurge and its repercussion on the poet considered as a substitute of the demiurge in Paul Celan’s poetry; and the gradual disappearance of the poetical word in Edmond Jabès cycle “The Book of Questions.” It is an attempt to connect this three-fold process of annihilation with cultural-contextual (mostly linguistic) factors in the case of Pessoa; with philosophical-pragmatical principles in Paul Celan’s work, and with the poetics of the blank and silence in the case of Edmond Jabès. In spite of this compartamentalization, some overlapping between the nihilist paradigms may occur: Jabès occasionally indulges in a kind of parodic heteronymy, whereas Pessoa’s subjective nihilism reaches an objective dimension through a metaphoric equation between the void of the poetical Self and the non-existence of the Book.

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Additional Information

ISSN
1936-9247
Print ISSN
1565-3668
Pages
pp. 121-132
Launched on MUSE
2012-02-03
Open Access
No
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