Abstract

Among the many theories that evaluate “made by Žižek” and “made in China,” history reveals an uncanny similarity. Both of them unexpectedly project the complexity and nuances of the capitalist imaginary in the post-cold war era of globalization. They are both sorts of “global commodities” piercing the limits of culture and history to announce themselves in the West.

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Additional Information

ISSN
1527-8271
Print ISSN
1067-9847
Pages
pp. 723-737
Launched on MUSE
2012-02-01
Open Access
No
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