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  • Contributors

Stephen Cheeke is Senior Lecturer in the Department of English at Bristol University. Recent publications include Writing for Art: The Aesthetics of Ekphrasis (Manchester University Press, 2008). He is currently working on a book about the Religion of Art in the nineteenth century.

Jennifer Esmail is Assistant Professor of English at Wilfrid Laurier University, where she specializes in Victorian literature, deaf and disabilities studies, animal studies, and the history of media and technology. She has published in ELH and Sign Language Studies, and, together with Christopher Keep, has edited a special issue "Victorian Disability" of Victorian Review (Fall 2009).

Renée Fox is Assistant Professor of English at Miami University. Her interests include the Gothic, Robert Browning, the Rossettis, Dickens, nineteenth-and twentieth-century Irish literature, Victorian spectacle, and the Victorian museum. Her current research project is entitled "Necromantic Victorians: Reanimation, History, and Literary Innovation."

Peaches Henry teaches at McLennan Community College. She writes on Victorian women writers and autobiography. She is completing her book "The Mind and Soul of Frances Power Cobbe," a comprehensive study of Cobbe's theological texts.

Mary Moore is Professor of English at Marshall University where she specializes in womens' poetry and Renaissance literature. Her book, Desiring Voices, Women Sonneteers and Petrarchism, explores women's revisions to Petrarch and Petrarchism from the Renaissance through the twentieth century, including a chapter on Barrett-Browning. Other articles on women's poetry and sonnets include work on Lady Mary Wroth's sonnet sequence and on Mary Sidney's elegy to her brother. She has also published on Shakespeare and on Renaissance prose style.

Melissa Schaub is Assistant Professor of English at the University of North Carolina at Pembroke. Her research has primarily focused on Victorian novels, with a dissertation on comedy in Victorian political novels, and articles on women novelists such as Elizabeth Gaskell, Mary Elizabeth Braddon, and Charlotte Yonge. [End Page 569]

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