Contents, Volume 67, 2011
- Contents, Volume 67, 2011
Kevin Arnold
"Male and Male and Male": John Rechy and the Scene of Representation 1/115
"Male and Male and Male": John Rechy and the Scene of Representation 1/115
Ohn Cyril Barton
"The Necessity of an Example": Chesnutt's The Marrow of Tradition & the Ohio Anti-Lynching Campaign 4/27
"The Necessity of an Example": Chesnutt's The Marrow of Tradition & the Ohio Anti-Lynching Campaign 4/27
Rebecca Skidmore Biggio
Violent Fraternities and White Reform: The Complementary Fictions of Albion Tourgée and Thomas Dixon 2/73
Violent Fraternities and White Reform: The Complementary Fictions of Albion Tourgée and Thomas Dixon 2/73
Mitchell Breitwieser
Pacific Speculations: Moby-Dick and Mana 1/1
Pacific Speculations: Moby-Dick and Mana 1/1
Jsarah Campbell
Saying "Nothing" and Meaning "Everything" in The Golden Bowl 2/101
Saying "Nothing" and Meaning "Everything" in The Golden Bowl 2/101
Natalia Cecire
Marianne Moore's Precision 4/83
Marianne Moore's Precision 4/83
J. Michelle Coghlan
Becoming an American in Paris: the Romance of the Commune in the 1890s 3/29
Becoming an American in Paris: the Romance of the Commune in the 1890s 3/29
Benjamin Cooper
Franklin H. Durrah, John William De Forest, and the Varieties of Military Experience 2/41 [End Page 185]
Franklin H. Durrah, John William De Forest, and the Varieties of Military Experience 2/41 [End Page 185]
Elizabeth Festa
Conveniently Situated Museums: The House Museum Movement and Modernist Interiority in Willa Cather's The Professor's House 1/73
Conveniently Situated Museums: The House Museum Movement and Modernist Interiority in Willa Cather's The Professor's House 1/73
Emily Donaldson Field
The Souls of Henry Adams: Du Boisian Aspects of The Education 3/61
The Souls of Henry Adams: Du Boisian Aspects of The Education 3/61
Brian Folker The Photograph and the Parenthesis: Walt Whitman, Walter Benjamin, and the Management of Time in "Song of Myself" 2/1
Doreen Fowler
Flannery O'Connor's Productive Violence 2/127
Flannery O'Connor's Productive Violence 2/127
Thomas Heise
American Psycho: Neoliberal Fantasies and the Death of Downtown 1/135
American Psycho: Neoliberal Fantasies and the Death of Downtown 1/135
Gary Edward Holcomb & Charles Scruggs
Hemingway and the Black Renaissance 4/111
Hemingway and the Black Renaissance 4/111
Kamran Javadizadeh
Elizabeth Bishop's Closet Drama 3/119
Elizabeth Bishop's Closet Drama 3/119
Edward Lybeer Whitman's War and the Status of Literature 2/23
Cody Marrs
Whitman's Latencies: Hegel and the Politics of Time in Leaves of Grass 1/47
Whitman's Latencies: Hegel and the Politics of Time in Leaves of Grass 1/47
Neill Matheson
Thoreau's Inner Animal 4/1 [End Page 186]
Thoreau's Inner Animal 4/1 [End Page 186]
Carey James Mickalites
Manhattan Transfer, Spectacular Time, and the Outmoded 4/59
Manhattan Transfer, Spectacular Time, and the Outmoded 4/59
Erin Murrah-Mandril Jovita González and Margaret Eimer's Caballero as Memory-Site 4/135
Katie Owens-Murphy
The Frontier Ethic behind Cormac McCarthy's Southern Fiction 3/155
The Frontier Ethic behind Cormac McCarthy's Southern Fiction 3/155
Matthew Pangborn
Royall Tyler's The Algerine Captive, America, and the Blind Man of Philosophy 3/1
Royall Tyler's The Algerine Captive, America, and the Blind Man of Philosophy 3/1
Brian Russell Roberts
(Ex)Isles in the Harlem Renaissance: The Insular and Archipelagic Topographies of Wallace Thurman's The Blacker the Berry 3/91
(Ex)Isles in the Harlem Renaissance: The Insular and Archipelagic Topographies of Wallace Thurman's The Blacker the Berry 3/91
Billy J. Stratton
"el brujo es un coyote": Taxonomies of Trauma in Cormac McCarthy's Blood Meridian 3/151
"el brujo es un coyote": Taxonomies of Trauma in Cormac McCarthy's Blood Meridian 3/151
Molly Wallace
Discomfort Food: Analogy, Biotechnology, and Risk in Ruth Ozeki's All Over Creation 4/155
Discomfort Food: Analogy, Biotechnology, and Risk in Ruth Ozeki's All Over Creation 4/155
Megan Williams In the Ring with Mildred Pierce: Million Dollar Baby and Eastwood's Revision of the Forties Melodrama 1/161 [End Page 187]
