In lieu of an abstract, here is a brief excerpt of the content:

Notes 60.1 (2003) 278-285



[Access article in PDF]
Rebecca Clarke. Ave Maria for Upper Voices (SSA) Unaccompanied. (Oxford Church Music for Upper Voices.) [New York]: [End Page 278] Oxford University Press, c1998. [Editor's notes, front cover verso; score, p. 3-6. ISBN 0-19-386080-5; cat. no. 94.415. $1.50.]
Rebecca Clarke. Chorus from Shelley's "Hellas" for Five-Part Women's Chorus (SSSAA) Unaccompanied. (Oxford Choral Music.) [New York]: Oxford University Press, c1999. [Editor's notes, front cover verso; text of Shelley's poem, 1 p.; score, p. 3-11. ISBN 0-19-386190-9; cat. no. 95.424. $2.95.]
Rebecca Clarke. Morpheus for Viola and Piano. [Edited by Christopher Johnson.] (Oxford Music for Viola.) [New York]: Oxford University Press, c2002. [Editor's notes, front cover verso and 1 p.; score, 11 p.; appendix 1 (alternate ending from 1st version), p. 12-13; appendix 2 (facsim. reprod. of lecture by Clarke, "The Woman Composer—Then & Now"), 3 p.; and part. ISBN 0-19-386436-3; cat. no. 92.207. $17.95.]
Rebecca Clarke. Prelude, Allegro, and Pastorale for B Clarinet and Viola. [Edited by Christopher Johnson.] (Oxford Chamber Music.) [New York]: Oxford University Press, c2000. [Editor's notes, front cover verso; score, 16 p. ISBN 0-19-386238-7; cat. no. 90.700. $14.95.]
Rebecca Clarke. Songs with Violin. [Edited by Christopher Johnson.] (Oxford Vocal Music.) [New York]: Oxford University Press, c2001. [Editor's notes, front cover verso; score, p. 3-12. ISBN 0-19-386370-7; cat. no. 96.319. $17.95.] Contains: Three Irish Country Songs; Down by the Salley Gardens.
Rebecca Clarke. Songs with Piano. [Edited by Christopher Johnson.] (Oxford Vocal Music.) [New York]: Oxford University Press, c2002. [Editor's notes, front cover verso; score, 56 p.; editorial notes, p. 57-58. ISBN 0-19-386420-7; cat. no. 96.320. $34.95.]

In recent years, Rebecca Clarke (1886- 1979), a British-born composer who eventually settled in the United States, has been gaining recognition as a distinctive and significant musical voice of the early twentieth century. She studied composition at the Royal College of Music in London with Charles Villiers Stanford and had a long professional career as a violist. Her first successes in composition were in the United States, and the two works written for competitions sponsored by Elizabeth Sprague Coolidge, the Viola Sonata (1919; pub. 1921) and Piano Trio (1921; pub. 1928), have been central to the growing interest in Clarke's music.

In fact, up until now, little of Clarke's music apart from these two works (issued in several reprints) has been readily available. In 1995, Boosey & Hawkes did publish the Song Album for Medium-High Voice and Piano and Three Old English Songs Arranged for Voice and Violin, both with notes by Calum MacDonald, reprinting editions originally issued in London by Winthrop Rogers in the 1920s. The rest of her compositions, however, have either been out of print, or, for the most part, remained unpublished as part of her estate. Thus the recent publication of several of Clarke's works by the Oxford University Press is a long overdue event of great importance.

The six editions considered here present compositions of remarkable quality in a variety of genres and styles, all of them previously unavailable. The works range from early pieces dating from about 1912 to compositions from the 1940s, or possibly even later. While I differ with some of the underlying editorial approaches and many details of the editing process adopted by Christopher Johnson, manager of the Rebecca Clarke estate in Brooklyn, New York, the strength and the remarkable power of Clarke's music shine through these publications. The musical readings are for the most part reliable and the editions are in every way usable by performers. [End Page 279]

If Clarke was known at all as a composer in...

pdf

Additional Information

ISSN
1534-150X
Print ISSN
0027-4380
Pages
pp. 278-285
Launched on MUSE
2003-08-19
Open Access
No
Back To Top

This website uses cookies to ensure you get the best experience on our website. Without cookies your experience may not be seamless.