Annotated Index to Volume 42

Annotations: a = actor/actress; d = director; f = film; m = musician; p = producer; s = screenwriter; tv = television series

 

L'Acadie, l'Acadie?!? f (d Pierre Perrault, 1971)
White, Jerry. "Arguing with Ethnography. The Films of Bob Quinn and Pierre Perrault." 42.2 (winter 2003): 101-24.

Adams, Brooke a
Cohen, Hubert. "The Genesis of Days of Heaven." 42.4 (spring 2003): 46-62.

Alexander, Khandi a
Smith-Shomade, Beretta E. "'Rock-a-Bye, Baby!': Black Women Disrupting Gangs and Constructing Hip-Hop Gangsta Films." 42.2 (winter 2003): 25-40.

Almereyda, Michael d
Burnett, Mark Thornton. "'To Hear and See the Matter': Communicating Technology in Michael Almereyda's Hamlet (2000)." 42.3 (spring 2003): 48-69.

Aronson, Michael G.
Aronson, Michael G. "The Wrong Kind of Nickel Madness: Pricing Problems for Pittsburgh Nickelodeons." 42.1 (fall 2002): 71-96.
This essay explores the local conditions and determinants involved in the economic and cultural entrenchment of the nickel theater in Pittsburgh a full decade after Harry Davis opened his eponymous storefront nickelodeon.

Atlantean f (d Bob Quinn, 1983)
White, Jerry. "Arguing with Ethnography. The Films of Bob Quinn and Pierre Perrault." 42.2 (winter 2003): 101-24.

Badlands f (d Terrence Malick, 1973)
Cohen, Hubert. "The Genesis of Days of Heaven." 42.4 (spring 2003): 46-62.

Baker, Ray a
Grady, Frank. "Arnoldian Humanism, or Amnesia and Autobiography in the Schwarzenegger Action Film." 42.2 (winter 2003): 41-56.

Battle of San Pietro, The f (d John Huston, 1945)
DeBona, Guerric. "Masculinity on the Front: John Huston's The Red Badge of Courage (1951) Revisited." 42.2 (winter 2003): 57-80.

Bazin, André
Bazin, André. "Three Forgotten French Filmmakers: André Cayatte, Georges Rouquier, and Roger Leenhardt." 42.1 (fall 2002): 3-20.
These three review-essays by André Bazin were originally published in French in the late 1940s and early 1950s. Each treats a neglected, if not forgotten, director together with his most important film: respectively, André Cayatte and Before the Deluge; Georges Rouquier and Farrebique; and Roger Leenhardt and The Last Vacation.

Before the Deluge f (d André Cayatte, 1954)
Bazin, André. "Three Forgotten French Filmmakers: André Cayatte, Georges Rouquier, and Roger Leenhardt." 42.1 (fall 2002): 3-20.

Benny, Jack a
Murray, Susan. "Ethnic Masculinity and Early Television's Vaudeo Star." 42.1 (fall 2002): 97-119.

Berle, Milton a
Murray, Susan. "Ethnic Masculinity and Early Television's Vaudeo Star." 42.1 (fall 2002): 97-119.

Bishop's Story, The f (d Bob Quinn, 1993)
White, Jerry. "Arguing with Ethnography. The Films of Bob Quinn and Pierre Perrault." 42.2 (winter 2003): 101-24.

Blue Velvet f (d David Lynch, 1986)
McGowan, Todd. "Looking for the Gaze: Lacanian Film Theory and Its Vicissitudes." 42.3 (spring 2003): 27-47.

Bow, Clara a
Orgeron, Marsha. "Making It in Hollywood: Clara Bow, Fandom, and Consumer Culture." 42.4 (summer 2003): 76-97.

Brando, Marlon a
Dixon, Simon. "Ambiguous Ecologies: Stardom's Domestic Mise-en-Scène." 42.2 (winter 2003): 81-101.

Bröderna Lejonhjärta (The Lionheart Brothers) f (d Olle Hellbom, 1977)
Holmlund, Christine. "Pippi and Her Pals." 42.2 (winter 2003): 3-24.

Bronze Buckaroo, The f (d Richard C. Kahn, 1938)
Leyda, Julia. "Black-Audience Westerns and the Politics of Cultural Identification in the 1930s." 42.1 (fall 2002): 46-70.

Buñuel, Luis d
Jones, Julie. "'Long Live Death!' The End of Revolution in Luis Buñuel's The Phantom of Liberty." 42.4 (summer 2003): 63-75.

Burnett, Mark Thornton
Burnett, Mark Thornton. "'To Hear and See the Matter': Communicating Technology in Michael Almereyda's Hamlet (2000)." 42.3 (spring 2003): 48-69.
This essay argues that Michael Almereyda's film Hamlet (2000) is a distinctively postmodernist cinematic statement that charts the ways in which the act of filmmaking allows a release from the pressures of global capitalism at the same moment as it creates a space for the articulation of a coherent subjectivity.

Caesar, Sid a
Murray, Susan. "Ethnic Masculinity and Early Television's Vaudeo...