Materials Received

Audio Compact Discs

Guitar Solos
Fred Frith. ReR Megacorp, Surrey, U.K., 2002.

Prints
Fred Frith. ReR Megacorp, Surrey, U.K., 2002.

Step across the Border
Fred Frith. ReR Megacorp, Surrey, U.K., 2003.

Books

The Audible Past: Cultural Origins of Sound Reproduction
Jonathan Sterne. Duke Univ. Press, Durham, NC, U.S.A., 2003. 472 pp., illus. Paper. ISBN: 0-8223-3013-X.

Buddhism and Science: Breaking New Ground
Allan Wallace, ed. Columbia Univ. Press, New York, NY, U.S.A., 2003. 446 pp. Paper. ISBN: 0-231-12335-3.

Coded Characters: Media Art by Jill Scott
Jill Scott. Marille Hahne, ed. Hatje Cantz Publishers, Ostfildern-Ruit, Germany, 2003. 240 pp., illus. Trade. ISBN: 3-7757-1272-0.

Conceptual Art and the Politics of Publicity
Alexander Alberro. MIT Press, Cambridge, MA, U.S.A., 2003. 236 pp., illus. Trade. ISBN: 0-262-01196-4.

Cymatics: A Study of Wave Phenomena and Vibration
Hans Jenny. MACROmedia Publishing, Newmarket, NH, U.S.A., 2001. 295 pp., illus. Trade. ISBN: 1-888-13807-6.

From Airline Reservations to Sonic the Hedgehog: A History of the Software Industry
Martin Campbell-Kelly. MIT Press, Cambridge, MA, U.S.A., 2003. 372 pp., illus. Trade. ISBN: 0-262-03303-8.

Naturoids: On the Nature of the Artificial
Massimo Negrotti. World Scientific Publishing, River Edge, NJ, U.S.A., 2002. 150 pp. Trade. ISBN: 981-02-4932-2.

Prefiguring Cyberculture: An Intellectual History
Darren Tofts, et al., eds. MIT Press, Cambridge, MA, U.S.A., 2002. 322 pp., illus. Trade. ISBN: 1-262-20145-3.

Reading Psychoanalysis: Freud, Rank, Ferenczi, Groddeck
Peter L. Rudnytsky. Cornell Univ. Press, Ithaca, NY, U.S.A., 2002. 312 pp. Paper. ISBN: 0-8014-8825-7.

Russia at Play: Leisure Activities at the End of the Tsarist Era
Louise McReynolds. Cornell Univ. Press, Ithaca, NY, U.S.A., 2003. 309 pp., illus. Trade. ISBN: 0-8014-4027-0.

The Seduction of the Occult and the Rise of the Fantastic Tale
Dorothea E. von Mücke. Stanford Univ. Press, Stanford, CA, U.S.A., 2003. 289 pp. Paper. ISBN: 0-8047-3860-2.

A Sum of Destructions: Picasso's Cultures & the Creation of Cubism
Natasha Staller. Yale Univ. Press, New Haven, CT, U.S.A., 2002. 328 pp., illus. Trade. ISBN: 0-300-07242-2.

Telematic Embrace: Visionary Theories of Art, Technology, and Consciousness
Roy Ascott. University of California Press, Berkeley, CA, U.S.A., 2003. 427 pp., illus. Trade. ISBN: 0-520-21803-5.

Ways of Being: Potentiality and Actuality in Aristotle's Metaphysics
Charlotte Witt. Cornell Univ. Press, Ithaca, NY, U.S.A., 2003. 161 pp. Trade. ISBN: 0-8014-4032-7.

Exhibition Catalog

Vladimir Skoda: Distortion-Vision
Philippe Cyroulnik, curator. Centre Règional d'Art Contemporain de Montbeliard; la Provincia di Modena; la Galerie Katrin Rabus, Brême. France, 2002. 127 pp., illus. Paper. ISBN: 2-910026-66-3.

Periodical

South Atlantic Quarterly
Vol. 3, No. 101, Summer 2002

Videos

Culture Jam: Hijacking Commercial Culture
Jill Sharpe. First Run/Icarus Films, Brooklyn, NY, U.S.A., 2001. 52 min.

Other American Voices
Corinna Belz and Neil Hollander. First Run/Icarus Films, Brooklyn, NY, U.S.A., 2002. 52 min.

Seeing Is Believing: Handicams, Human Rights and the News
Katerina Cizek and Peter Wintonick. First Run/Icarus Films, Brooklyn, NY, U.S.A., 2002. 58 min.