In lieu of an abstract, here is a brief excerpt of the content:

  • Intersenses and New Technologies
  • Jean Favory and Jacques Mandelbrojt, Honorary EditorColloquium Organizer, Guest Editors

[End Page 309]

Leonardo Journals and Books Available in Bookstores

Leonardo journals are available through subscription, but they can also be purchased in selected bookstores. Here is a partial list of bookstores that carry Leonardo and Leonardo Music Journal (LMJ).

Readers who would like to see Leonardo carried by their local bookstore should send the bookstore's contact information to <leo@mitpress.mit.edu>.

Leonardo books and journals can be ordered on-line through <http://mitpress.mit.edu>. Leonardo books can also be ordered through local bookstores or through on-line booksellers.

U.S.A. Bookstores (Leonardo):

Architectural Book Center
229 Peachtree St, STE B-04
Atlanta, GA 30303

Berkeley Art Museum Store
2625 Durant Ave # 2250
Berkeley, CA 94720

The Bookery
Dewitt Mall
215 N. Cayuba St
Ithaca, NY 14850

Builders Booksource
1817 Fourth St
Berkeley, CA 94710

Cody's Books
2454 Telegraph Ave
Berkeley, CA 94704

Franz Bader Gallery Bookstore
1911 Eye St, NW
Washington, DC 20006

Institute of Contemporary Art
955 Boylston St
Boston, MA 02115

News Express
1803 Connecticut Ave
Washington, DC 20009

St. Mark's Bookshop
31 Third Ave
New York, NY 10003

Stanford Bookstore Dist. Center
8424 Central Ave
Newark, CA 94560

Steve's Broadway News
204 Broadway Ave E
Seattle, WA 98102

Steve's Fremont News
3416 Fremont Ave N
Seattle, WA 98103

Total Circulation (Distributor)
80 Frederick St
Hackensack, NJ 07601

Ubiquity Distributors (Distributor)
607 Degraw St
Brooklyn, NY 11217

Canadian Bookstores (Leonardo):

Atlantic News
5560 Morris St
Halifax, NS B3J 1C2
CANADA

Libraire Olivieri
5200 Gatineau
Montreal, Quebec H3T1W9
CANADA

UBC Bookstore
6200 University Blvd
Vancouver, BC V6T 1Z4
CANADA

International Bookstores (Leonardo):

Laie-CCCB
Montalegre, 5
08001 Barcelona
SPAIN

Page One
12 Collins St, 5th Floor
Melbourne 3000
AUSTRALIA

Stichting V2 Institute Unstable Media
C/o Hans Beekmans
Eendrachtsstraat 10
3012 XL Rotterdam
THE NETHERLANDS

U.S.A. Bookstores (LMJ):

Institute of Contemporary Art
955 Boylston St
Boston, MA 02115

Yankee Book Peddler
999 Maple St
Contoocook, NH 03229

Total Circulation (Distributor)
80 Frederick St
Hackensack, NJ 07601-5234

Ubiquity Distributors (Distributor)
607 Degraw St
Brooklyn, NY 11217

Canadian Bookstore (LMJ):

UBC Bookstore
6200 University BLVD
Vancouver, BC V6T 1Z4
CANADA

International Bookstore (LMJ):

Stichting V2 Institute Unstable Media
C/o Hans Beekmans
Eendrachtsstraat 10
3012 XL Rotterdam
THE NETHERLANDS [End Page 310]

In accordance with the theme "Synesthesia and Intersenses"—which was developed in several articles published in Leonardo after the call for papers on synesthesia by Jack Ox and the joint call for papers on synesthesia and intersenses by Ox and myself—the Laboratoire Musique et Informatique de Marseille (MIM), the Electronic Music Foundation (EMF), Leonardo and the Laboratoire de Neuro-cybernetique Cellulaire organized in Marseille, France, a 5-day colloquium entitled "Intersenses and New Technologies." Its initial themes were:

  • • Extreme computing: New technologies create new impulses and new possibilities for multimedia art, which can engage several of our senses. "Extreme computing" refers to art that would be impossible to realize without computers.

  • • Structural intersense, in which a structural relationship between different arts is established through a code created by the artist [1].

  • • Intuitive intersense, in which an artist, based on intuition or emotions, freely interprets a work of art in one medium that engages one of our senses to create a work of art in another medium that engages another of our senses.

  • • Intersenses-Intersciences: On the light that diverse sciences, and in particular the neuro-sciences, can shed on the phenomenon of synesthesia (see the following article by J.P. Ternaux).

Retrospectively a few unifying themes emerged, two of which were (1) the role of the artist, the spectator and, in particular, interactivity; and (2) the role of structures, codes, combinatorics and conversely that of chance. But in my opinion one of the most striking recurrent themes was that of what we might call "muscular images" [2], which are at the foundation of perception of both visual artworks and music. This theme is developed as it concerns music in the following articles by Rolf Inge Godøy and François Delalande.

The presentations to the colloquium are published on the MIM...

pdf

Share