Abstract

From the 1930s to the 1980s political circumstances in China limited American access to information about Chinese theatre. In this era Englishman A. C. Scott and Australian Colin Mackerras became major scholars documenting changes taking place and theatre practice they saw, creating a foundation for current scholarship on Chinese performance.

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Additional Information

ISSN
1527-2109
Print ISSN
0742-5457
Pages
pp. 409-413
Launched on MUSE
2011-09-09
Open Access
No
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