- Strange Flowers, and: Billets for Bullets
Strange Flowers
In a wheelchair a little old lady who's slidfrom straight forgetting to flinging food against walls to pinching the nurse who was trying to kill her,"filthy Russian bastard," till she bled, to pinching punching and scratching anyone who came near,"I want to scratch everyone," to singing "The Star- Spangled Banner" over and over, she who never sang,to just sitting and shrinking, flat eyes staring at me, she who divided the world into fools and bastardsand I'm still not sure which I am in eyes alien as those of Grays who do unspeakable things to you inflying saucers, now and then taking Ensure through a straw the way a weevil sucks sap, sometimesmoving her hands over her face to dislodge the webs or maybe she wants to speak so I move closer, but she'slooking, a flicker, a mayfly's wing, past me to her daughter's face as if she wants to land there, and herwishing-puff of white hair stirs in a breeze through the window open a crack a bee slips through, and I recallsomething about bees remembering a human face if they are tricked into thinking we are strange flowers. [End Page 353]
Billets for Bullets
Ever since they moved in it's guns all day and half the night. Rifles, shotguns, assault rifles,whatever. But sitting at my desk, like now, is worst, waiting for the other jack-boot to drop, shakingthe house like a thunderclap directly over- head—just now my heart stopped, really stopped, and Ialmost fell from my chair—oh, those two women who, when not firing guns, strap on weed-wackers or hopastride a mower, a cross between a Sherman tank and a Maserati to chase down everyweed or blade of grass until they corner it, then, as reward, slip into a rubber dinghyand race around the pond picking off frogs and whatever else is cowering in the reeds. But silence,as I said, is worse, since then you don't know what they're up to, and think perhaps they've driven their truckinto town to freshen up their ammo stockpile. Big mistake. For if your nerves beginretreating into place, your heart fall back into its slot, the blood begin to flow againbetween pollarded banks, and the creative spirit gets ready to find its nock, then—they've got you! Wham!Bam! Wham! And there is nothing to be done. They're within their rights, the sheriff says. Get used to it.I look across the valley to the confederate flag [End Page 354] fluttering half way up the slope where the guys have decidedquiet is the better part of valor and only shatter it when they blow up Saturdays,or Sundays. But these two ladies have no political axe to grind— God forbid they should get their handson axes. I'd move if I could, but where to? Back to the silence of the city? No, I'll keep on hoping,hope the real way since hope isn't hope "until all ground for hope has vanished," and try to finish my workbefore a bullet strays across the red dirt road and finds its billet, a phrase taught me bymy grandpa who still carried a bullet in his chest "from Wipers" and kept another the size of a fingerin the gas-mask hung up in the shed, and ssh!, I hear a bird outside my window, its song remindingme of the one I heard as a kid in the department store where you put a penny in a slotand the bird on its perch in the cage began to sing for as long as the penny lasted. It knew when to stop. But this oneseems stuck. If ever I could corner the market in silence I'd give it away for free. [End Page 355]
Brian Swann's most recent publication is Words in the Blood: On Native American Translation (University of Nebraska Press, 2011).