French Romantic writer Madame Charles Reybaud explores the coupling of gender and race by depicting the legal restrictions imposed upon married women and slaves in her novella "Les Épaves" (1838). Both groups have a lack of power and are treated as inferior in a colonial, patriarchal society. This article examines the parallels between Madame Éléonore de la Rebelière, the Creole wife of a Belgian plantation owner, and Donatien, a former slave. They are both subordinated by Monsieur de la Rebelière: Donatien because of being a mixed-race épave and Éléonore because of her status as a married, Creole woman.