Contributors
Rent from DeepDyve- Contributors
Kathleen Anderson is an Associate Professor of English at Palm Beach Atlantic University in Florida. Her work has appeared in such publications as European Romantic Review, The Journal of the Fantastic in the Arts and Persuasions: The Jane Austen Journal Online. She is the 2003 Travel Lecturer for the East for the Jane Austen Society of North America (JASNA). Anderson is currently working on a book-length analysis of actresses in nineteenth-century women's narratives, in addition to several creative nonfiction projects.
Martin Bidney is Professor of English at SUNY-Binghamton. His most recent book is Patterns of Epiphany: From Wordsworth to Tolstoy, Pater, and Barrett Browning (1997). His latest articles analyze epiphany patterns in Larkin, Salinger, Bishop, and Frost. His “Epiphany in Autobiography: Quantum Changes in Dostoevsky and Tolstoy” will appear in the November 2003 issue of the Journal of Clinical Psychology. He is currently completing another book on nineteenth-century epiphanies.
Ernest Fontana is Professor of English at Xavier University. Recent publications include “Rossetti's Disturbed and Belated Walk Poems” in Victorian Newsletter and “D. G. Rossetti and the Interrogative Lyric” in the Philological Quarterly.
Anthony Kearney taught formerly at La Trobe University, Australia, and at St. Martin's College, Lancaster, England. He has published several articles on nineteenth-century developments in English studies.
Daniel Kline is a doctoral student in the Department of English at the Ohio State University. He is completing a dissertation entitled “Educated Speech: Victorian Philology and the Literary Languages of Matthew Arnold and Arthur Hugh Clough.”
John D. Rosenberg is the William Peterfield Trent Professor of English at Columbia University. He has written books on Ruskin, Tennyson, and Carlyle, and edited works by Ruskin, Mayhew, Swinburne, and Tennyson.
Andrew Stauffer is an assistant professor of English at Boston University. He has published articles on Shelley, Godwin, Rossetti, Byron, and the Brownings. His work in progress includes a book on anger and Romanticism and another on archaeology and print culture in nineteenth-century British literature.
Jane Wright is a doctoral student at the University of Cambridge working on “Vision and Sincerity in Victorian Poetry,” with particular focus on Tennyson and Clough. She has published articles on both these writers.
