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Trick Riders
- Frontiers: A Journal of Women Studies
- University of Nebraska Press
- Volume 24, Number 1, 2003
- pp. 132-133
- 10.1353/fro.2003.0018
- Article
- Additional Information
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Frontiers: A Journal of Women Studies 24.1 (2003) 132-133
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Trick Riders
Christina K. Hutchins
for A.T., and in honor of Hazel Walker and Babe Lee, 1917
There is nothing, nothing, nothing two women cannot do before noon.
Anonymous
That first afternoon of Vermont sun anud blue meadow sky
a frisking of cumulus winds of August trampling the hilltop we balanced
our bodies on the loping air lay into ravishing the blades of grass
Here in October along the San Francisco Bay a fog hovers all morning but so thin
the blue atmosphere the outstretched boughs of eucalyptus mingling atop
the hill could emerge could grow visible: only a matter of seconds.
the right breeze exact breath your hands on my back
steadying me Our future lingers obscured but not far away Let's make
the quick work of articulation Already we have a language of desire
but between words we need dust each leaf and jot of ground
a determined wind glad to meet you These delicate depictions
this acquiring of definite forms will require our whole courage—
Drop the reins Hoist me up Set your feet
where the muscles move You and I can climb the wind
a trick horse already knifing out the gate [End Page 132]
Like the ripple of water from a tipped pitcher blade pressing butter into its melt—
stretch out your arms— I'm here I dare you
our clarity For this the years working the living
breath jogging the days solitudes' honed timings All to mount this cantering
moment: silver splitting down a hillside juts and folds revealed flash of sun—
upshifted vapors twist away as balancing we stand at full gallop
Christina K. Hutchins is a Ph.D. candidate in interdisciplinary studies at the Graduate Theological Union in Berkeley and a graduate of Harvard and of the University of California, Davis. Her dissertation, a theory of reading philosophically, draws on A. N. Whitehead and Judith Butler, as do her recent essays published in Theology and Sexuality and Process and Difference (SUNY, 2002). In addition to her book, Collecting Light (AcaciaBooks, 1999), over seventy of her poems appear in journals such as North American Review, Journal of Feminist Studies of Religion, Nimrod, Calyx, Cream City Review, and in various anthologies. She was granted the Montalvo Poetry Prize and a Money for Women/Barbara Deming Award for Poetry, and several of her poems have recently been set by composers into major vocal works.
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