In lieu of an abstract, here is a brief excerpt of the content:

Frontiers: A Journal of Women Studies 24.1 (2003) 132-133



[Access article in PDF]

Trick Riders

Christina K. Hutchins

for A.T., and in honor of Hazel Walker and Babe Lee, 1917

There is nothing, nothing, nothing two women cannot do before noon.

Anonymous

That first afternoon of Vermont sun anud blue meadow sky
a frisking of cumulus     winds of August trampling the hilltop     we balanced
our bodies on the loping air     lay into ravishing the blades of grass
Here in October along the San Francisco Bay     a fog hovers all morning but so thin
the blue atmosphere     the outstretched boughs of eucalyptus mingling atop
the hill     could emerge     could grow visible:     only a matter of seconds.
the right breeze     exact breath     your hands on my back
steadying me     Our future lingers     obscured but not far away     Let's make
the quick work of articulation     Already we have a language of desire
but between words we need dust     each leaf and jot of ground
a determined wind     glad to meet you     These delicate depictions
this acquiring of definite forms     will require our whole courage—
Drop the reins     Hoist me up     Set your feet
where the muscles move     You and I can climb the wind
a trick horse already knifing out the gate [End Page 132]
Like the ripple of water from a tipped pitcher     blade pressing butter into its melt—
stretch out your arms—                    I'm here      I dare you
our clarity     For this the years     working the living
breath     jogging the days     solitudes' honed timings     All to mount this cantering
moment:     silver splitting down a hillside     juts and folds revealed     flash of sun—
upshifted vapors twist away     as     balancing we stand at full gallop


 

Christina K. Hutchins is a Ph.D. candidate in interdisciplinary studies at the Graduate Theological Union in Berkeley and a graduate of Harvard and of the University of California, Davis. Her dissertation, a theory of reading philosophically, draws on A. N. Whitehead and Judith Butler, as do her recent essays published in Theology and Sexuality and Process and Difference (SUNY, 2002). In addition to her book, Collecting Light (AcaciaBooks, 1999), over seventy of her poems appear in journals such as North American Review, Journal of Feminist Studies of Religion, Nimrod, Calyx, Cream City Review, and in various anthologies. She was granted the Montalvo Poetry Prize and a Money for Women/Barbara Deming Award for Poetry, and several of her poems have recently been set by composers into major vocal works.

...

pdf

Share