Abstract

Frueh's performance piece, The Aesthetics of Orgasm, begins with a primal scene—Frueh, as a child, walks in on her parents having sex. Weaving thinking into sex, orgasm, and the erotic, Frueh positions herself within feminist scholarship, performing language that enables a kind of heterosexual eroticism that does not objectify.

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Additional Information

ISSN
1531-4715
Print ISSN
1054-2043
Pages
pp. 126-136
Launched on MUSE
2011-05-21
Open Access
No
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