Abstract

Joanna Frueh has developed her own contemporary ars erotica, in which seduction is both a persistent motif and performance strategy. Frueh has embodied numerous seductive personas, mirroring her own iterative process of self-transformation. The investigation of Frueh's "art of seduction" uncovers its relevance for her live performances since 1979.

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Additional Information

ISSN
1531-4715
Print ISSN
1054-2043
Pages
pp. 86-103
Launched on MUSE
2011-05-21
Open Access
No
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