Abstract

This paper puts contemporary theories of embodiment and performance in the service of interactive arts criticism. Rather than focusing on vision, structure or signification, the author proposes that we explicitly examine bodies-in-relation, interaction as performance, and "being" as "being-with." He presents four concrete areas of concentration for analyzing the category of interactive art. The author also examines how such work amplifies subjects and objects as always already implicated across one another.

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Additional Information

ISSN
1530-9282
Print ISSN
0024-094X
Pages
pp. 233-238
Launched on MUSE
2011-05-13
Open Access
No
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