Abstract

This paper discusses the theoretical, technological and personal processes in which the author engaged as a performance-technology researcher, leading to the creation of the Performance Online in Real Time (PORT) technology toolkit. The paper explains the process of creating a digital performance work and its theoretical framing based on French feminist philosophical and psychoanalytical theories. These enabled the author to establish a model for both a performing and a spectating position in digital performance.

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Additional Information

ISSN
1530-9282
Print ISSN
0024-094X
Pages
pp. 117-122
Launched on MUSE
2011-04-28
Open Access
No
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