Abstract

Lancelot, Malory's paragon of chivalry, harbors a defiant alter-ego first evident only through double adversaries, but later erupting in violent action generally repressed by the chivalric code. Through this dark Other, Malory develops his hero's subjectivity as he interrogates fifteenth-century knighthood.

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Additional Information

ISSN
1934-1539
Print ISSN
1078-6279
Pages
pp. 81-92
Launched on MUSE
2015-04-01
Open Access
No
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