Abstract

To a great extent fairy tales are stories about first love, which end with the final union of the couple. They are thus automatically family stories dealing with the children's successful or unsuccessful detachment from the parents' law. Looked at from this point of view, the German fairy-tale novella and fairy-tale drama of the early nineteenth century, especially where they address young readers, favor antimodern and anti-emancipatory plots. In comparison with the splendid and successful love stories of the fairy-tale heroes of the eighteenth century, the love affairs of the nineteenth century end rather badly. At the worst the protagonists give up any wedding plans and return to their families (e.g., Hauff's "Zwerg Nase"), which mirrors to a large extent the German conservative social history of the nineteenth century.

pdf

Additional Information

ISSN
1536-1802
Print ISSN
1521-4281
Pages
pp. 75-85
Launched on MUSE
2003-05-12
Open Access
No
Back To Top

This website uses cookies to ensure you get the best experience on our website. Without cookies your experience may not be seamless.