Illustrations Accompanying Articles in This Issue

Jelena Bogdanović, "On the Architecture of the Konaks in Serbia (1804-1830s)," pp. 161-80

Figure B-1.

Figure B-3.

(Figure B-2 on following page)

Figure B-2.

Figure B-4.

Figure B-5.

Figure B-6.

Figure B-7.

Figure B-8.

Figure B-9.

Figure B-10.

Figure B-11.

Figure B-12.

Figure B-13.

Figure B-15.

(Figure B-14 on following page)

Figure B-14.

Ljubomir Milanović, "Picturing the New Middle Class: Two 19th Century Portraits of Serbian Women," pp. 181-90

Figure M-1.

Figure M-2.

Figure M-3.

Figure M-4.

Figure M-5.

Jelena Milojkovic-Djurić, "Mutual Illuminations: Articulating National Legacies in the Balkans and Eastern Europe around the Turn of the Nineteenth Century," pp. 191-200

Figure MD-1.

Paja Jovanović, The Migration of Serbs, 1896. National Museum, Belgrade, Sebia.

Figure MD-2.

Arpad Feszty, The Arrival of the Magyars 1895. Budapest, National Museum Special Collection.

Figure MD-3.

Mykola Ivansiuk, Hetman Khmelnytsky's Entry into Kyiv, 1912. National Museum of Art, Kyiv.

Sofija Korać, "Accessible Serbia: Legal Reforms and Persons with Disabilities," pp. 201-18

Figure K-1.

School for the Visually Impaired "Veljko Ramadanović" (formerly House for the Blind King Aleksandar I) in Belgrade

Figure K-2.

School for the Visually Impaired "Veljko Ramadanović" (formerly House for the Blind King Aleksandar I) in Belgrade

Figure K-3.

School for the Visually Impaired "Veljko Ramadanović" (formerly House for the Blind King Aleksandar I) in Belgrade

Figure K-4.

School for the Visually Impaired "Veljko Ramadanović" (formerly House for the Blind King Aleksandar I) in Belgrade

Figure K-5.

School for the Visually Impaired "Veljko Ramadanović" (formerly House for the Blind King Aleksandar I) in Belgrade

Figure K-6.

School for the Visually Impaired "Veljko Ramadanović" (formerly House for the Blind King Aleksandar I) in Belgrade

Figure K-7.

National Bank of Serbia in Belgrade

Figure K-8.

Office building in Belgrade

Figure K-9.

Residential building in Belgrade

Marko Popović, "Physics in Serbia: From Personal Achievements to Institutions," pp. 255-70

Figure P-1.

Atanasije Stojković, oil portrait by Pavel Djurković, Gallery of Matica Srpska, Novi Sad, Serbia.

Figure P-2.

Cover page of the first volume of FISIKA 1801, by Atanasije Stojković. Library of Institute of Physics, Belgrade

Figure P-3.

Monument with bust of Djordje Stanojević, in front of the Serbian Electrical Company building, Belgrade

Figure P-4.

Milutin Milanković, oil portrait by Paja Jovanović, 1943 (Location unknown).

Figure P-5.

Cover page of "Canon," the principal scientific work by Milutin Milanković, Belgrade, 1941, Library of Institute of Physics, Belgrade...