Contributors
- Contributors
Amanda Bailey is Assistant Professor of English at the University of Connecticut, Storrs. She is the author of Flaunting: Style and the Subversive Male Body in Renaissance England (2007) and coeditor of Masculinity and the Metropolis of Vice, 1550-1650 (2010). Her essays have appeared or are forthcoming in Criticism, Renaissance Drama, and English Literary Renaissance. She is currently completing a book entitled Of Bondage: Debt and Dramatic Economies in Early Modern England.
Hugh Craig's research interests are in applying computational methods to literary style, especially in early modern English drama. With Arthur F. Kinney he edited Shakespeare, Computers, and the Mystery of Authorship (2009). He currently directs the Humanities Research Institute and the Centre for Literary and Linguistic Computing at the University of Newcastle, Australia.
Carolyn Sale is Associate Professor in the Department of English and Film Studies at the University of Alberta. Her essays have appeared in ELH, Renaissance Drama, The Law in Shakespeare (2007), Shakespeare and the Law (2008), and The History of British Women's Writing, 1500-1610: Volume 2 (2010). She is working on a book entitled Common Properties: The Early Modern English Writer and the Law, 1528-1628.
Anita Gilman Sherman is Associate Professor of Literature at American University. She is the author of Skepticism and Memory in Shakespeare and Donne (2007) and essays on Donne, Garcilaso de la Vega, Heywood, Montaigne, W. G. Sebald, and Shakespeare in edited collections and in Criticism, Medieval and Renaissance Drama in England, the Shakespearean International Yearbook, Sin Nombre, and Studies in English Literature 1500-1900.
Brian Vickers is a Distinguished Senior Fellow of the School of Advanced Study, London University, a Fellow of the British Academy, and an Honorary Foreign Member of the American Academy of Arts and Sciences. He is general editor of the Oxford Collected Works of John Ford and director of the Oxford Francis Bacon. His publications include Shakespeare, Co-Author: A Historical Study of Five Collaborative Plays (2002), "Counterfeiting" Shakespeare: Evidence, [End Page 143] Authorship, and John Ford's "Funerall Elegye" (2002), and Shakespeare, "A Lover's Complaint," and John Davies of Hereford (2007). [End Page 144]
