Reviews

502Comparative Drama Reviews SPRING: David Scott Kastan, ShakespeareAfter Theory (Michael L. Hays); Edward Pechter, Othello and Interpretive Traditions (Robert C. Evans). SUMMER: Alan C. Dessen and Leslie Thomson, A Dictionary of Stage Directions in English Drama (Michael D. Friedman); Discontinuities: New Essays on Renaissance Literature and Criticism, ed. Viviana Comensoli and Paul Stevens (Nick Moschovakis); Philip C. Kolin, Williams:A StreetcarNamed Desire (Robert Bray); Performance Culture andAthenian Democracy, ed. Simon Goldhill and Robin Osborne (Francis Dunn); Three Turk Playsfrom EarlyModern England: Selimus,A ChristianTurnedTurk, andThe Renegado, ed. DanielJ. Vitkus (John Saillant); Egil Tornqvist, Ibsen, Strindberg and the Intimate Theatre : Studies in TVPresentation (Valerie Barnes Lipscomb). Fall/Winter: R. C. Beacham, Power into Pageantry: Spectacle Entertainments ofEarly Imperial Rome (Garrett Fagan); Stanton Garner Jr., Trevor Griffiths: Politics, Drama, History (Jenny S. Spencer); Marlowe, History, and Sexuality: New Critical Essays on Christopher Marlowe, ed. Paul Whitfield White (Karen Cunningham); Performing America: Cultural Nationalism in American Theater, ed. Jeffrey D. Mason and J. Ellen Gainor (Thomas P. Adler); Kenneth Gross, Shakespeare's Noise (Grace Tiffany); Robert Baker-White, The Text in Play: Representations of Rehearsal in Modern Drama (Kinereth Meyer); Michael X. Zelenak, Gender and Politics in Greek Tragedy (Mary Kay Gamel); Theatre under the Nazis, ed. John London (Robert Hinkel); T7ie Cambridge Companion to Shakespeare on Film, ed. Russell Jackson (Frances Teague); Richard Helgerson, Adulterous Alliances: Home, State, and History in Early European Drama and Painting (Sara Eaton). ...