Abstract

Kim Solga reviews The Walworth Farce – a "farce" in name only – as a play that is actually about the dangerous performatics of memory. As it explores the ways in which the theatre both enables and *dis*ables the drive to remember, it thinks seriously about traumatic re-enactment and the limits of the theatre as a site for such.

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Additional Information

ISSN
1920-941X
Print ISSN
0315-0836
Pages
pp. 89-91
Launched on MUSE
2011-02-16
Open Access
No
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