Aston, Elaine. "Feeling the Loss of Feminism: Sarah Kane's Blasted and an Experiential Genealogy of Contemporary Women's Playwriting." 575-591.
Barrow, Rosemary. "Toga Plays and Tableaux Vivants: Theatre and Painting on London's Late-Victorian and Edwardian Popular Stage." 209-226.
Beggs, Anne. "'For Urinetown is your town . . .': The Fringes of Broadway." 41-56.
Brater, Jessica, et al. "'Let Our Freak Flags Fly': Shrek the Musical and the Branding of Diversity." 151-172.
Cullingford, Elizabeth. "Evil, Sin, or Doubt? The Dramas of Clerical Child Abuse." 245-263.
Filipowicz, Halina. "Re-Envisioning Solidarity: History, Agency, and the Politics of Performance." 333-347.
Freedman, John. "Contemporary Russian Drama: The Journey from Stagnation to a Golden Age." 389-420.
Friedman, Sharon. "The Gendered Terrain in Contemporary Theatre of War by Women." 593-610.
Holmgren, Beth. "The Art of Playing Patriot: The Polish Stardom of Helena Modjeska." 349-371.
Hutchison, Yvette. "The 'Dark Continent' Goes North: An Exploration of Intercultural Theatre Practice through Handspring and Sogolon Puppet Companies' Production of Tall Horse." 57-73.
Kattelman, Beth A. "Magic, Monsters, and Movies: America's Midnight Ghost Shows." 23-39.
Kelly, Katherine E. "Making the Bones Sing: The Feminist History Play, 1976-2010." 645-660.
Kim, Ju Yon. "Trying on The Yellow Jacket: Performing Chinese Exclusion and Assimilation." 75-92.
Kraut, Anthea. "'Stealing Steps' and Signature Moves: Embodied Theories of Dance as Intellectual Property." 173-189.
Kritzer, Amelia Howe. "Enough! Women Playwrights Confront the Israeli-Palestinian Conflict." 611-626.
Selaiha, Nehad, with Sarah Enany. "Women Playwrights in Egypt." 627-643.
Sikes, Alan W. "Politics and Pornography: Czech Performance in the International Arena." 373-387.
Vogel, Shane. "Jamaica on Broadway: The Popular Caribbean and Mock Transnational Performance." 1-21.
Woolf, Brandon. "Negotiating the 'Negro Problem': Stew's Passing (Made) Strange." 191-207.
Zamir, Tzachi. "Watching Actors." 227-243.