Contributors
- Contributors
Yomi Braester is professor of comparative literature and core member of the Cinema Studies Program at the University of Washington in Seattle. His most recent book is Painting the City Red: Chinese Cinema and the Urban Contract (2010).
Kirsten Cather is assistant professor of Japanese literature and film in the Department of Asian Studies at the University of Texas at Austin. She has recently finished a book on postwar Japanese literature, film, and manga censorship trials called The Art of Censorship in Postwar Japan (1950–2007).
Sarah Frederick is associate professor of Japanese at Boston University and the author of Turning Pages: Reading and Writing Women’s Magazines in Interwar Japan (University of Hawai’i Press, 2006). She is currently working on a book about Yoshiya Nobuko.
Maki Fukuoka is assistant professor of Japanese humanities in the Department of Asian Languages and Cultures at the University of Michigan. She is currently working on a book manuscript titled “The Premise of Fidelity: Visuality, Science, and Representation in Nineteenth-Century Japan.” [End Page 771]
Nicole Huang is associate professor of Chinese literature at the University of Wisconsin–Madison. She is the author of Women, War, Domesticity: Shanghai Literature and Popular Culture of the 1940s (2005).
Andrew F. Jones is professor of Chinese at the University of California, Berkeley. His book Developmental Fairytales: Evolutionary Thinking and Modern Chinese Culture is forthcoming from Harvard University Press.
William Schaefer is assistant professor of Chinese at the University of Rochester. His most recent publication is “Poor and Blank: History’s Marks and the Photographies of Displacement,” Representations 109 (2010). He has completed a book manuscript entitled, “Shadow Modernism: Photography, Writing, and Space in Shanghai, 1925–1935.” [End Page 772]
