Contributors
Buy Issue for $25 at JHUP- Contributors
Mary Baine Campbell is professor of English and comparative literature at Brandeis University in Waltham, Massachusetts, where she teaches medieval and early modern literature, and is the author most recently of Trouble (poetry) and Wonder and Science: Imagining Worlds in Early Modern Europe.
Roger Cooter is author of a long list of critical articles, reviews, and books on the social and cultural history and historiography of science and medicine from the eighteenth to the twenty-first centuries. With Claudia Stein, he is currently completing Medicine and the Politics of History and Creating Bio-publics: Germany and Britain, 1880s-1930s.
Cynthia A. Current is a teaching fellow in the Department of English and Comparative Literature at the University of North Carolina at Chapel Hill, where she is completing her dissertation, "Technology and the Archive: Framing Identity in American Literature, 1880-1914." Her project considers how the novelists of this era re-imagine racial and gender identity as technologically and archivally construed. She served as contributor to and co-editor of The North Carolina Roots of African American Literature: An Anthology of Nineteenth-Century African American Writing (2006).
Jan De Vos trained as a clinical psychologist. He is currently a researcher at the Center for Ethics and Value Inquiry (CEVI) of Ghent University, where he recently earned his [End Page 337] Ph.D. in philosophy on "Psychological Subjectivity in Late Modernity." He has published several articles on psychologization.
Jason David Hall is lecturer in English at the University of Exeter. He has published articles on nineteenth- and twentieth-century poetry and poetic form, and, with Ashby Bland Crowder, is co-editor of Seamus Heaney: Poet, Critic, Translator (2007). His monograph Seamus Heaney's Rhythmic Contract was published in 2009. He is currently editing a collection of essays for Ohio University Press, Meter Matters: Verse Cultures of the Long Nineteenth Century, and working on a book-length cultural history of nineteenth-century prosody titled Promiscuous Feet.
Ian F. McNeely is associate professor of history at the University of Oregon in Eugene. The author of books on the role of writing in German political culture and on the nineteenth-century medical reformer Rudolf Virchow, he has most recently co-authored, with Lisa Wolverton, Reinventing Knowledge: From Alexandria to the Internet (2008).
Richard C. Sha is professor of literature at American University, Washington, DC, and is presently working on a book on how scientists understood the imagination during the Romantic period. This essay is part of that project. Other related essays have or will appear in European Romantic Review (2009) and Blackwell's Handbook of Romantic Studies. Sha's previous study, Perverse Romanticism: Aesthetics and Sexuality in Britain, 1750-1832, was published in 2009.
Lara Vetter is assistant professor of English at the University of North Carolina at Charlotte. Her book, Modernist Writings and Religio-scientific Discourse: H.D., Loy, and Toomer, was published by Palgrave in 2010, and her essays have appeared in the Journal of Modern Literature and Genre. Additionally, for the University of Virginia Press, she is co-editing an electronic, scholarly edition of selected letters and poetry by Emily Dickinson. She also serves as co-chair of the H.D. International Society and is co-editing Approaches to Teaching H.D.'s Poetry and Prose for the MLA Press. [End Page 338]
