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Commerce, Genius, and De Quincey’s Literary Identity
- SEL Studies in English Literature 1500-1900
- Johns Hopkins University Press
- Volume 50, Number 4, Autumn 2010
- pp. 775-789
- 10.1353/sel.2010.a404719
- Article
- Additional Information
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In his magazine essays in the 1820s, Thomas De Quincey offers himself as a genius whose status is assured by his distance from the commercial market. Such cultural maneuvering is representative of a strain in Romanticism that has been stridently critiqued in New Historicist criticism in the last twenty-five years. The very insistence with which De Quincey made such claims tended to characterize him as a magazine “personality,” providing a legible, and hence saleable, commercial product. The effort was paradoxical from the first. By insisting on his separation from the print market, De Quincey integrated himself into it.