Abstract

This essay takes as its focus Ron Silliman's 1978 marathon street-side reading of his long poem Ketjak in San Francisco, and examines the "special effects" of a poet's theatre when it is extended beyond the physical and ideological boundaries of the traditional, contemporary poetry reading.

Additional Information

ISSN
1053-1920
Launched on MUSE
2010-12-01
Open Access
No
Archive Status
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