Abstract

New York City–based NTUSA uses a census-based creation process to develop vaudevillian spectacles that investigate the construction of local and national histories. Their performances expose tensions between art as a commercial enterprise and a community-building effort, testing the boundary between esoteric avantgarde and purely entertaining, popular performance.

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Additional Information

ISSN
1531-4715
Print ISSN
1054-2043
Pages
pp. 155-174
Launched on MUSE
2010-11-26
Open Access
No
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