Abstract

Making noisy art for noisy times, New York ensemble Big Art Group's hyper-mediated aesthetic stages the sensory surfeit of modern life. Employing batteries of screens, prismatic live-feed video, and roaring digital soundscapes, the company's experiments with attention and perception create a new model for political theatre grounded in the contested dynamics of spectatorship.

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Additional Information

ISSN
1531-4715
Print ISSN
1054-2043
Pages
pp. 54-80
Launched on MUSE
2010-11-26
Open Access
No
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