Abstract

A close analysis of the work of Walter Ruttmann shows how the concern of the avant-garde for visual culture and the quest for a purely filmic mode of expression reached fulfillment in Nazi propaganda.

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Additional Information

ISSN
1548-9922
Print ISSN
0360-3695
Pages
pp. 26-46
Launched on MUSE
2013-01-02
Open Access
No
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