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CONTENTS OF PREVIOUS VOLUMES Volume 11 Jutta Brückner, On Autobiographical Filmmaking; Margaret McCarthy, Consolidating , Consuming, and Annulling Identity in Jutta Bruckner's Hungerjahre; Janice Mouton, Margarethe von Trotta's Sisters: "Brides Under a Different Law"; Jenifer K. Ward, Enacting the Different Voice: Christa Klages and Feminist History; Renate Möhrmann, "Germany, Pale Mother": On the Mother Figures in New German Women's Film; Barbara Becker-Cantarino, "Gender Censorship": On Literary Production in German Romanticism; Dagmar von Hoff, Aspects of Censorship in the Work of Karoline von Günderrode ; Lewis Call, Woman as Will and Representation: Nietzsche's Contribution to Postmodern Feminism; Alyth F. Grant, From "Halbtier" to "Übermensch": Helene Böhlau's Iconoclastic Reversal of Cultural Images; Lynda J. King, Vicki Baum and the "Making" of Popular Success: "Mass" Culture or "Popular " Culture?; Katharina von Ankum, Motherhood and the "New Woman": Vicki Baum's stud. ehem. Helene Willfüer and Irmgard Keun's Gilgi—eine von uns; Friederike Eigler, Feminist Criticism and Bakhtin's Dialogic Principle: Making the Transition from Theory to Textual Analysis; Imke Lode, The Body in the Discourses of Colonial Savage and European Woman during the Enlightenment ; Sara Friedrichsmeyer and Patricia Herminghouse, The Generational Compact: Graduate Students and Germanics. Volume 10 Richard W. McCormick, Private Anxieties/PublicProjections: "New Objectivity ," Male Subjectivity, and Weimar Cinema; Elizabeth Mittman. Locating a Public Sphere: Some Reflections on Writers and Öffentlichkeit in the GDR; Ruth-Ellen B. Joeres, "We are adjacent to human society": German Women Writers, the Homosocial Experience, and a Challenge to the Public/Domestic Dichotomy; Marjorie Gelus, Patriarchy's Fragile Boundaries under Siege: Three Stories of Heinrich von Kleist; Gail K. Hart, Anmut's Gender: The "Marionettentheater" and Kleist's Revision of "Anmut und Würde"; Brigid Haines, Masochism and Femininity in Lou Andreas-Salome's Eine Ausschweifung ; Silke von der Emde, Irmtraud Morgner's Postmodern Feminism: A Question of Politics; Susan C. Anderson, Creativity and Nonconformity in Monika Maron's Die Überläuferin; Ruth Klüger, Dankrede zum Grimmelshausen -Preis; Karen Remmler, Gender Identities and the Remembrance of the Holocaust; Suzanne Shipley, From the Prater to Central Park: Finding a Self in Exile; Sigrid Lange, Dokument und Fiktion: Marie-Thérèse Kerschbaumers Der weibliche Name des Widerstands; Miriam Frank, Lesbian Life and Literature: A Survey of Recent German-Language Publications; Luise F. Pusch, Ein Streit um Worte? Eine Lesbe macht Skandal im Deutschen Bundestag; Jeanette Clausen and Sara Friedrichsmeyer, WIG 2000: Feminism and the Future of Germanistik. Volume 9 Ann Taylor Allen, Women's Studies as Cultural Movement and Academic Discipline in the United States and West Germany: The Early Phase, 1966-1982; Susan Signe Morrison, Women Writers and Women Rulers: Rhetorical and Political Empowerment in the Fifteenth Century; Christi Griesshaber-Weninger, Harsdörffers Frauenzimmer Gesprächspiele als geschlechtsspecifische Verhaltensfibel: Ein Vergleich mit heutigen Kommunikationsstrukturen ; Gertrud Bauer Pickar, The Battering and Meta-Battering of Droste's Margreth: Covert Misogyny in Die Judenbuche's Criticai Reception; Kirsten Belgum, Domesticating the Reader: Women and Die Gartenlaube; Katrin Sieg, Equality Decreed: Dramatizing Gender in East Germany; Katharina von Ankum, Political Bodies: Women and Re/Production in the GDR; Friederike Eigler, At the Margins of East Berlin's "Counter-Culture": Elke Erb's Winkelzüge and Gabriele Kachold's zügel los; Karin Eysel; Christa Wolf's Kassandra: Refashioning National Imagination Beyond the Nation; Petra Waschescio, Auseinandersetzung mit dem Abendlanddenken: Gisela von Wysockis Abendlandleben; Dagmar CG. Lorenz, Memory and Criticism: Ruth Klüger's weiter leben; Sara Lennox, Antiracist Feminism in Germany: Introduction to Dagmar Schultz and Ika Hügel; Ika Hügel, Wir kämpfen seit es uns gibt; Dagmar Schultz, Racism in the New Germany and the Reaction of White Women; Sara Friedrichsmeyer and Jeanette Clausen, What's Missing in New Historicism or the "Poetics" of Feminist Literary Criticism. Volume 8 Marjorie Gelus, Birth as Metaphor in Kleist's Das Erdbeben in Chili: A Comparison of Critical Methodologies; Vanessa Van Ornam, No Time for Mothers: Courasche's Infertility as Grimmelshausen's Criticism of War; M.R. Sperberg-McQueen, Whose Body Is It? Chaste Strategies and the Reinforcement of Patriarchy in Three Plays by Hrotswitha von Gandersheim; Sara Lennox, The Feminist Reception of Ingeborg Bachmann; Maria-Regina Kecht, Auflehnung...


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