Abstract

This essay begins with Schiller's intriguing assertion of Anmut as a detachable, movable quality in "Über Anmut und Würde" and applies it to a discussion of gender attributes and gender attributions in Die Jungfrau von Orleans. Schiller's awareness of the contingency and transportability of the attributes that signal gender generates a counter-model to the medieval "sex-gender" assumptions that triggered the execution of the historical Joan of Arc, but this is at best a vexed and inconclusive "countering." (GKH)

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