Abstract

This article examines the death of Diotima in Friedrich Hölderlin's Hyperion Oder der Eremit in Griechenland. It proposes that her death is a male fantasy rather than a textual "necessity," as previous critics have hitherto argued. At the same time, it shows through careful textual analysis that a woman's suicide, when carefully chosen and staged, can be read as a means of resisting male fantasy.

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