Contributors
- Contributors
Philippe Mary is a Lecturer in Sociology at the Institut d’Études Politiques in Toulouse, France, and a researcher at the Centre de Sociologie Européenne in Paris. He is the author of La nouvelle vague et le cinéma d’auteur, socio-analyse d’une révolution artistique (2006).
Richard Neupert is the Wheatley Professor of the Arts and Josiah Meigs Distinguished Teaching Professor at the University of Georgia, and a specialist in French cinema, film theory, and animation. His books include The End: Narration and Closure in Cinema (1995) and A History of the French New Wave Cinema (2003; rev. ed. 2007). He translated Michel Marie’s The French New Wave: An Artistic School (2002).
Vanessa R. Schwartz is Professor of History, Art History, and Film at the University of Southern California. She is the author of Spectacular Realities: Early Mass Culture in Fin-de-Siècle Paris (1998) and It’s So French! Hollywood, Paris, and the Making of Cosmopolitan Film Culture (2007). She coedited Cinema and the Invention of Modern Life (1995) and The Nineteenth Century Visual Culture Reader (2004).
Geneviève Sellier is Professor of Film Studies at the University of Caen, France, and a leading specialist in the study of gender in French cinema. Among her books are Les enfants du paradis (1992) and La drôle de guerre des sexes du cinéma français, 1930–1956 (1996; cowritten with Noël Burch). Her recent study of gender in the New Wave was published in English as Masculine Singular, French New Wave Cinema (2008).
Ginette Vincendeau is Professor of Film Studies at King’s College, London. She has written widely on popular French and European cinema. Her books include Stars and Stardom in French Cinema (2000; rev. ed. 2004), Jean-Pierre Melville, An American in Paris (2003), and La Haine (2005). Recently she coedited (with Peter Graham) a new and expanded version of The New Wave: Critical Landmarks (2009). [End Page 166]
