Abstract

This article analyzes computer-generated swarms, armies, armadas, and hordes in contemporary cinema to show how they spatialize time, dramatize historical change, and interrogate the idea that there is great power in numbers—even as they explore (in a spectacular fashion) the relationship between the individual and the collective.

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Additional Information

ISSN
2578-4919
Print ISSN
2578-4900
Pages
pp. 90-110
Launched on MUSE
2010-09-12
Open Access
No
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