Books Received

Inclusion in this listing does not preclude review in future issues.

Blanche Arral. The Extraordinary Operatic Adventures of Blanche Arral. Translated by Ira Glackens. Edited by William R. Moran. Portland, Ore.: Amadeus Press, 2002, 352 pages, $24.95

Mark Ross Clark. Singing, Acting, and Movement in Opera: A Guide to Singer-getics. Bloomington: Indiana University Press, 2000, 167 pages, $44.95 (cloth), $21.95 (paper)

Marco Emanuele. Opera e riscritture: Melodrammi, ipertesti, parodie. Turin: Paravia, 2001, 220 pages, no price listed

Myer Fredman. From "Idomeneo" to "Die Zauberflöte": A Conductor's Commentary on the Operas of Wolfgang Amadeus Mozart. Brighton: Sussex Academic Press; Portland, Ore.: International Specialized Book Services, 2002, 214 pages. $59.50

Alison Latham, editor. The Oxford Companion to Music. New York: Oxford University Press, 2002, 1448 pages, $60.00

M. Owen Lee. First Intermissions: Commentaries from the Met Broadcasts. Revised and enlarged edition. New York: Limelight Editions, 285 pages, 2002, $15.95

Christopher Morris. Reading Opera Between the Lines: Orchestral Interludes and Cultural Meaning from Wagner to Berg. New Perspectives in Music History and Criticism. New York: Cambridge University Press, 2002, 231 pages, $60.00

Simon Morrison. Russian Opera and the Symbolist Movement. California Studies in Twentieth Century Music. Berkeley: University of California Press, 2002, 374 pages, $60.00

Roy Pateman. Chaos and Dancing Star: Wagner's Politics, Wagner's Legacy. Lanham, Md.: University Press of America, 2002, 385 pages, $47.00 (paper)

David Schroeder. Cinema's Illusions, Opera's Allure: The Operatic Impulse in Film. New York: Continuum, 2002, 384 pages, $27.95

Elisabeth Schwarzkopf. On and Off the Record: A Memoir of Walter Legge. 1982. Reprint, with a preface by Peter G. Davis. Boston: Northeastern University Press, 2002, 304 pages, $18.95

Mirka Zemanková. Janácek. Boston: Northeastern University Press, 2002, 367 pages, $35.00