In lieu of an abstract, here is a brief excerpt of the content:

  • Calamari Press
  • Derek White (bio)

At the present moment (March 2010), Calamari Press is about book objects. Any statement or manifesto about the press is contained in the summation of its books at this time. I can only speak to the framework that keeps these books in existence.

I started Calamari Press in 2003 at an interesting crossroads for books, where, on one hand, the Internet has provided a virtually free and unlimited marketing and promotion tool, but, on the other hand, it has flooded the market and diminished reader's capacities and numbed their taste buds. With the more recent advent of social-networking schemes, the Internet has become even more super-saturated with promotion and self-promotion. This is not a world I am capable of competing in, nor do I want to. Even writing this statement for the American Book Review seems a futile and shameless exercise that I fear will pigeonhole me into a category of being an American "micropress" that is trying to justify the necessity of its existence or fight for a readership.

The existence of Calamari Press or any "micropress" in and of itself should be what justifies the necessity of its existence. The books in and of themselves should be what makes people want to read them, not blurbs, reviews, ads, academic sponsorship, etc. Independence means you don't need to be told what to do. The same is true of independent bookstores.everyone is rallying for and trying to justify their continued existence saying we should support them. We live in a time of inevitable and irreversible climate change.we always have. For forty-five years, we've been listening to Mick Jagger singing about how he was driving in his car

And that man comes on the radioHe's tellin' me more and moreAbout some useless informationSupposed to fire my imagination.

Nothing's changed except we've swapped radios for the Internet. Brick and mortar has been replaced with vinyl siding. America is getting fatter and fatter, consuming beyond the point of satisfaction. Americans for the most part have the lost the ability to taste; they just continue to consume what they are told to consume.

The only thing changing is that there's more and more of the same old shit. Temperatures are rising. Concerts still sell out, and hipsters continue to stand around applauding mediocrity or worse. Museums are stuffed with people that just want to say they were there. The blogosphere (that is fast replacing more traditional means of literary criticism) has become one big circle jerk where everyone applauds and pats each other's backs until you have no way of knowing what's what anymore.

Rather than build levees against the flood of mediocrity or fight for your continued existence in this saturated and over-satisfied world, it would behoove one to adapt and move away from low-lying areas. I believe in laissez-faire economics and natural selection, and if a press or bookstore doesn't survive, then it was destined for extinction. Not that I don't believe some sort of intervention is necessary to preserve certain book objects that are in danger of extinction. In some ways, that is what Calamari Press has become: a no-kill shelter for endangered books.

I spent last year in Kenya and am soon moving to Rome, so a lot of my thinking lately is focused on making the press virtual and mobile and not tied into the American economic machine. Not that I won't continue to make physical book objects, but in this day and age, there's no reason that the inner-workings of their availability can't be virtual. And I'm not ruling out the possibility of digital books or art forms. The challenge is how to not tether yourself to any other commercial media supply chains or remain truly independent and preserve the integrity of the art. There's some wonderful traditions in Italy and Europe in general that I'm hoping to tap into (for example applying the principles of the Slow Food movement to books). There will be frustrations, too, and I'm...