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I N D E X T O V O L U M E S 4 9 A N D 5 0 A R T I C L E S A N D I N T E R V I E W S adichie, chimamanda ngozi. See Marx, John ammons, a. r. See Hollister, Susannah L. armantrout, rae. See Keller, Lynn ashbery, john. See Carson, Luke Aubry, Timothy. “Middlebrow Aesthetics and the Therapeutic: The Politics of Interiority in Anita Shreve’s The Pilot’s Wife” . . . . . . . . . .49.1:85–110 bambara, toni cade. See Mathes, Carter A. Barnard, Rita. “Tsotsis: On Law, the Outlaw, and the Postcolonial State” . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .49.4:541–72 Baucom, Ian. “Afterword: States of Time” . . . . . . . . . . . . . . . . . . . . . . . . . . . .49.4:712–18 beckett, samuel. See Hansen, Jim bloom, harold. See Pederson, Joshua Bruns, Gerald L. “Voices of Construction: On Susan Howe’s Poetry and Poetics (A Citational Ghost Story)” . . . . . . . . . . . . . . . . . . . . . . . . . . . . .50.1:28–53 Burn, Stephen J. “An Interview with Richard Powers” . . . . . . . . . . . . . . . . .49.2:163–79 Bushnell, Cameron Fae. “The Art of Tuning: A Politics of Exile in Daniel Mason’s The Piano Tuner and Vikram Seth’s An Equal Music” . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .50.2:332–62 butler, octavia. See Wallace, Molly Carson, Luke. “‘Render unto Caesura’: Late Ashbery, Hölderlin, and the Tragic”. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .49.2:180–208 carter, angela. See Ng, Andrew Hock Soon Casteel, Sarah Phillips. “Jews among the Indians: The Fantasy of Indigenization in Mordecai Richler’s and Michael Chabon’s Northern Narratives” . . . .50.4:775–810 chabon, michael. See Casteel, Sarah Phillips coetzee, j. M. See Marais, Michael; Pellow, C. Kenneth contemporary literature and the state. See Barnard, Rita; Baucom, Ian; Hansen, Jim; Hart, Matthew; Hart, Matthew, and Jim Hansen; Keenaghan, Eric; Marx, John; Van der Vlies, Andrew; Watson, Jini Kim Craps, Stef. “An Interview with Graham Swift” . . . . . . . . . . . . . . . . . . . . . .50.4:637–61. cronin, jeremy. See Van der Vlies, Andrew Dewey, Anne. “Gendered Muses and the Representation of Social Space in Robert Duncan’s Poetry” . . . . . . . . . . . . . . . . . . . . . . . .50.2:299–331 Duncan, Bryan. “‘All Power Is Saved’: The Physics of Protest in Muriel Rukeyser’s The Book of the Dead” . . . . . . . . . . . . . . . . . . . . . . . . . . . .50.3:553–75 duncan, robert. See Dewey, Anne; Keenaghan, Eric egan, jennifer. See Reilly, Charlie Edmond, Jacob. “The Closures of the Open Text: Lyn Hejinian’s ‘Paradise Found’” . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .50.2:240–72 844 • C O N T E M P O R A R Y L I T E R A T U R E eugenides, jeffrey. See Shostak, Debra Finkelstein, Norman. “Nathaniel Mackey and the Unity of All Rites” . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .49.1:24–55 Franco, Dean J. “Rereading Cynthia Ozick: Pluralism, Postmodernism, and the Multicultural Encounter” . . . . . . . . . . . . . . . . . .49.1:56–84 fugard, athol. See Barnard, Rita Garrard, Greg. “Ian McEwan’s Next Novel and the Future of Ecocriticism” . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .50.4:695–720 gibson, william. See Link, Alex Gillis, Colin. “Rethinking Sexuality in Thom Gunn’s The Man with Night Sweats” . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .50.1:156–82 goldstein, rebecca. See Lang, Jessica gunn, thom. See Gillis, Colin Hames, Scott. “Eyeless in Glasgow: James Kelman’s Existential Milton” . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .50.3:496–527 hansberry, lorraine. See Hodin, Mark Hansen, Jim. “Samuel Beckett’s Catastrophe and the Theater of Pure Means” . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .49.4:660–82 Hart, Matthew. “The Third English Civil War: David Peace’s ‘Occult History’ of Thatcherism” . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .49.4:573–96 Hart, Matthew, and Jim Hansen. “Introduction: Contemporary Literature and the State” . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .49.4:491–514 hejinian, lyn. See Edmond, Jacob; Reddy, Srikanth Hena, Omaar. “Playing Indian / Disintegrating Irishness: Globalization and Cross-Cultural Identity in Paul Muldoon’s ‘Madoc: A Mystery’” . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .49.2:232–62 Hibbett, Ryan. “The Hughes/Larkin Phenomenon: Poetic Authenticity in Postwar English Poetry” . . . . . . . . . . . . . . . . . . . . .49.1:111–40 Hodin, Mark. “Lorraine Hansberry’s Absurdity: The Sign in Sidney Brustein’s Window” . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .50.4:742–74 Hollister, Susannah L. “The Planet on the Screen: Scales of Belonging in A. R. Ammons’s Sphere” . . . . . . . . . . . . . . . . . . . . .50.4:662–94 howe, susan. See Bruns, Gerald L. hughes, ted. See Hibbett, Ryan Keenaghan, Eric. “Life, War, and Love: The Queer Anarchism of Robert Duncan’s Poetic Action during the Vietnam War” . . . . . . . . . .49.4:634–59 Keller, Lynn. “An Interview with Myung Mi Kim” . . . . . . . . . . . . . . . . . . . .49.3:335–56 —. “An Interview with Rae Armantrout” . . . . . . . . . . . . . . . . . . . . . . . . . . . .50.2:219–39 kelman, james. See Hames...

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Additional Information

ISSN
1548-9949
Print ISSN
0010-7484
Pages
pp. 843-848
Launched on MUSE
2010-06-13
Open Access
No
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