Abstract

Despite the explosion of interest in Jewish mysticism in recent decades, scholars have only recently begun to explore in any depth how mystical texts function as literature. This includes not just literary readings of Jewish mystical texts, but also extends to questions of mystical and literary efficacy. In other words, what kinds of strategies are employed in Jewish mystical writing to convey mystical content and ethos, to shape religious subjectivity in distinctive ways, or even to influence the cosmos through specialized acts of writing and reading (i.e., producing and consuming literature)? Moreover, how do these literary and mystical projects intersect, reinforce, and possibly even place limits upon one another in different textual settings? Finally, how might consideration of these topics change the way we think about Jewish literary studies more broadly?

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