Abstract

A performance of Cage's Song Books was staged at a major exhibition of Beuys's multiples. Richard Schechner's taxonomy of performance—drama, script, theater, and performance—offers a structure for exploring thematic intersections between Cage's Song Books and Beuys's artworks, and for considering the audience's participation in the event.

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Additional Information

ISSN
1531-4715
Print ISSN
1054-2043
Pages
pp. 126-154
Launched on MUSE
2010-06-04
Open Access
No
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