Abstract

There is a forensic prescience evident in the corpus of Mexican performance and conceptual artist Teresa Margolles. The gendered "states of exception" of Margolles's medium and message—the corpse, its presence and absence—relate to broader representations of Mexico's escalating "domestic violence."

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Additional Information

ISSN
1531-4715
Print ISSN
1054-2043
Pages
pp. 103-125
Launched on MUSE
2010-06-04
Open Access
No
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