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ARTICLE TITLE HERE IN ALL CAPS / 675 Theatre Journal INDEX TO VOLUME 61 CONTRIBUTORS’ INDEX Articles Amaris, Lian. “Approaching an Analog–Digital Dialectic: The Case of the Blue Man Group.” 563–573. Auslander, Philip. “Lucille Meets GuitarBot: Instrumentality, Agency, and Technology in Musical Performance.” 603–616. Barton, Bruce. “Paradox as Process: Intermedial Anxiety and the Betrayals of Intimacy.” 575–601. Buckley, Matthew S. “Refugee Theatre: Melodrama and Modernity’s Loss.” 175–190. Callens, Johan. “The Wooster Group’s Hamlet, According to the True, Original Copies.” 539–561. Canning, Charlotte M. “‘In the Interest of the State’: A Cold War National Theatre for the United States.” 407–420. Croft, Clare. “Ballet Nations: The New York City Ballet’s 1962 US State Department– Sponsored Tour of the Soviet Union.” 421–442. Durham, Leslie Atkins. “Found Images and Networked Americas in the Builders Association ’s Alladeen.” 521–538. Edmondson, Laura. “Genocide Unbound: Erik Ehn, Rwanda, and an Aesthetics of Discomfort.” 65–83. Elam, Harry J., Jr., and Michele Elam. “Blood Debt: Reparations in Langston Hughes’s Mulatto.” 85–103. Jannarone, Kimberly. “Audience, Mass, Crowd: Theatres of Cruelty in Interwar Europe.” 191–211. Lin, Erika T. “Popular Festivity and the Early Modern Stage: The Case of George a Greene.” 271–297. Liu, Siyuan. “Theatre Reform as Censorship: Censoring Traditional Theatre in China in the Early 1950s.” 387–406. Patton, Alec. “How The National Health Improved the National’s Health: Peter Nichols, Michael Blakemore, and the National Theatre Company.” 443–462. Phelan, Mark. “‘Authentic Reproductions’: Staging the ‘Wild West’ in Modern Irish Drama.” 235–248. Preston, Carrie J. “Posing Modernism: Delsartism in Modern Dance and Silent Film.” 213–233. Setje-Eilers, Margaret. “‘Wochenend und Sonnenschein ’: In the Blind Spots of Censorship at the GDR’s Cultural Authorities and the Berliner Ensemble.” 363–386. Smalec, Theresa K. “Scenes of Self-Recruitment : Ron Vawter’s Entry into The Performance Group.” 23–41. Sofer, Andrew. “How to Do Things with Demons : Conjuring Performatives in Doctor Faustus.” 1–21. Thornbury, Barbara E. “Negotiating the Foreign: Language, American Audiences, and Theatre from Japan.” 249–269. Winet, Evan Darwin. “Between Umat and Rakyat: Islam and Nationalism in Indonesian Modern Theatre.” 43–64. Performance Reviews Anderson, Virginia. Dessa Rose. Lynn Ahrens and Stephen Flaherty. 135–138. Bassin, Joel. How Theater Failed America. Mike Daisey. 304–305. Bauerlein, Judy. The Success of Failure (or the Failure of Success). Cynthia Hopkins and Accinosco. 467–469. Beal, Ara Grabaskas. Cat on a Hot Tin Roof. Tennessee Williams. 139–142. Beasley, Heather A. The Denver Project. Stephen Sapp and Mildred Ruiz (Universes ). 305–308. Beggs, Anne. Illyria, a New Musical. Peter Mills. 315–316. Bielski, Andrew. The Merchant of Venice. William Shakespeare. 634–636. Brandon, James M. The Tempest. William Shakespeare. 631–633. Callaghan, David. West Side Story. Arthur Laurents, Stephen Sondheim, and Leonard Bernstein. 332–334. Campbell, Peter A. Blasted. Sarah Kane. 318–319. Chirico, Miriam. A Civil War Christmas: An American Musical Celebration. Paula Vogel. 629–631. Choate, E. Teresa. August: Osage County. Tracy Letts. 105–106. 676 / Author’s Name Here 676 / Index to Volume 61 Contini, George. Noel Coward’s Brief Encounter. Emma Rice. 131–135. ———. Gone with the Wind. Margaret Martin. 131–135. Cummings, Scott T. 33rd Annual Humana Festival of New American Plays. 620–623. Dunkelberg, Kermit. Ko Festival of Performance . 321–326. Erincin, Serap. Sixteenth International Istanbul Theatre Festival. 114–117. Essin, Christin. “Storytelling Live!” Dovie Thomason and Dolores Hydock. 326–328. Felton-Dansky, Miriam. Kicking a Dead Horse. Sam Shepard. 107–108. Fotis, Matt. Co-Ed Prison Sluts. Mick Napier et al. 483–485. Good, Tim. Eureka. Hanon Reznikov and Judith Malina. 319–321. Gustafson, Kevin. Penthésilée. Heinrich von Kleist. 124–126. Hillman, Jessica. Xanadu. Douglas Carter Beane, Jeff Lynne, and John Farrar. 328–329. Holden, Amanda Beth. The God of Carnage. Yasmina Reza. 126–128. Hostetter, Anthony. Naked Cocktail. Greg Giovanni . 329–331. Jones, Richard. El amore es un francotirador. Lola Arias. 308–311. Kattwinkel, Susan. Monkey: Journey to the West. Chen Shi-Zheng and Damon Albarn . 110–114. ———. Between the Devil and the Deep Blue Sea. 1927. 110–114. ———. Homeland. Laurie Anderson. 110–114. ———. The Great War. Hotel Modern. 110–114. Kim, Jae Kyoung...


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