Index to Volume 54

CONTRIBUTORS’ INDEX

ARTICLES

Arrizón, Alicia. “A Forum on Theatre and Tragedy In the Wake of September 11, 2001.” 117.

Balme, Christopher B. “A Forum on Theatre and Tragedy In the Wake of September 11, 2001.” 115–16.

Bank, Rosemarie K. “Representing History: Performing the Columbian Exposition.” 589–606.

Brody, Jennifer DeVere. “A Forum on Theatre and Tragedy In the Wake of September 11, 2001.” 101–2.

Carlson, Marvin. “A Forum on Theatre and Tragedy In the Wake of September 11, 2001.” 133–34.

Case, Sue-Ellen. “A Forum on Theatre and Tragedy In the Wake of September 11, 2001.” 107–9.

Chaudhuri, Una. “A Forum on Theatre and Tragedy In the Wake of September 11, 2001.” 97–99.

Conquergood, Dwight. “Lethal Theatre: Performance, Punishment, and the Death Penalty.” 339–67.

Cummins, Doug and Robert Bershere. “Doctoral Projects in Progress in Theatre Arts, 2002.” 285–87.

Diamond, Elin. “A Forum on Theatre and Tragedy In the Wake of September 11, 2001.” 136–38.

Dolan, Jill. “A Forum on Theatre and Tragedy In the Wake of September 11, 2001.” 106–7.

duBois, Page. “Ancient Tragedy and the Metaphor of Katharsis.” 19–24.

Eng, David L. “The Value of Silence.” 85–94.

Elam, Harry J., Jr. “A Forum on Theatre and Tragedy In the Wake of September 11, 2001.” 102–4.

Evan, Raima. “Women and Violence in A Mouthful of Birds.” 263–84.

Gere, David. “T-shirts and Holograms: Corporeal Fetishes in AIDS Choreography, c. 1989.” 45–62.

Gross, Janice. “The Tragedy of Algeria: Slimane Benaïssa’s Drama of Terrorism.” 369–87.

Holland, Sharon P. “A Forum on Theatre and Tragedy In the Wake of September 11, 2001.” 118–19.

Jakovljevic, Branislav. “Shattered Back Wall: Performative Utterance of A Doll’s House.” 431–48.

Johnson, Katie N. “Zaza: That ‘Obtruding Harlot’ of the Stage.” 223–43.

Kobialka, Michal. “A Forum on Theatre and Tragedy In the Wake of September 11, 2001.” 120–21.

Komaromi, Ann. “Wyspiański’s Wesele: Poised on the Border.” 187–202.

Kun, Josh. “A Forum on Theatre and Tragedy In the Wake of September 11, 2001.” 126–28.

Lane, Jill. “A Forum on Theatre and Tragedy In the Wake of September 11, 2001.” 109–10.

Lemon, Rebecca. “Scaffolds of Treason in Macbeth.” 25–43.

Muñoz, José Esteban. “A Forum on Theatre and Tragedy In the Wake of September 11, 2001.” 122–23.

O’Quinn, Daniel. “Mercantile Deformities: George Colman’s Inkle and Yarico and the Racialization of Class Relations.” 389–409.

Paredez, Deborah. “Remembering Selena, Remembering Latinidad.” 63–84.

Pellegrini, Ann. “A Forum on Theatre and Tragedy In the Wake of September 11, 2001.” 113–15.

Prieto, Antonio. “A Forum on Theatre and Tragedy In the Wake of September 11, 2001.” 110–12.

Puchner, Martin. “Manifesto = Theatre.” 449–65.

Rayner, Alice. “A Forum on Theatre and Tragedy In the Wake of September 11, 2001.” 129–31.

———. “Rude Mechanicals and the Specters of Marx.” 535–54.

Reinelt, Janelle. “A Forum on Theatre and Tragedy In the Wake of September 11, 2001.” 134–36.

Rokem, Freddie. “A Forum on Theatre and Tragedy In the Wake of September 11, 2001.” 112–13.

———. “Narratives of Armed Conflict and Terrorism in the Theatre: Tragedy and History in Hanoch Levin’s Murder.” 555–73.

Román, David. “Introduction: Tragedy.” 1–18.

Salamensky, S. I. “Re-Presenting Oscar Wilde: Wilde’s Trials, Gross Indecency, & Documentary Spectacle.” 575–88.

Schechner, Richard. “A Forum on Theatre and Tragedy In the Wake of September 11, 2001.” 131–32.

Shimakawa, Karen. “A Forum on Theatre and Tragedy In the Wake of September 11, 2001.” 123–25.

Singleton, Brian. “A Forum on Theatre and Tragedy In the Wake of September 11, 2001.” 119–20.

Taylor, Diana. “A Forum on Theatre and Tragedy In the Wake of September 11, 2001.” 95–96.

Uno, Roberta. “A Forum on Theatre and Tragedy In the Wake of September 11, 2001.” 128–29.

Villarejo, Amy. “A Forum on Theatre and Tragedy In the Wake of September 11, 2001.” 104–6.

Vorlicky, Bob. “A Forum on Theatre and Tragedy In the Wake of September 11, 2001.” 125–26.

Walen, Denise A. “Constructions of Female Homoerotics in Early...