Victorian Poetry Volume 47, 2009 Index

VICTORIAN POETRY INDEX VOLUME 47, 2009 313 Anna Barton Delirious Bulldogs and Nasty Crockery: Tennyson as Nonsense Poet 747 Jason Boulet “Will he rise and recover[?]”: Catullus, Castration, and Censorship in Swinburne’s “Dolores” 777 T.A.J. Burnett Some Reflections on the Text of Swinburne’s Unfinished Novel, the so-called “Lesbia Brandon” 379 Alan C. Christensen Navigating in Perilous Seas of Language: In Memoriam and “The Wreck of the Deutschland” 787 Benjamin F. Fisher Swinburne’s “A Nympholept” in the Making 449 Ernest Fontana Exercitive Speech Acts in the Poetry of Dante Gabriel Rossetti 675 Andrew Fippinger Intimations and Imitations of Immortality: Swinburne’s “By the North Sea” and “Poeta Loquitur” 633 Tony W. Garland Brothers in Paradox: Swinburne, Baudelaire, and the Paradox of Sin 45 Erik Gray Getting It Wrong in “The Lady of Shalott” 533 Guide to the Year’s Work in Victorian Poetry 173 Irene Hsiao Subtraction and Division: Calculating Loss in In Memoriam 461 Allison Adler Kroll Tennyson and the Metaphysics of Material Culture: The Early Poetry VICTORIAN POETRY VOLUME 47, 2009 INDEX 505 Angela Leighton On “the hearing ear”: Some Sonnets of the Rossettis 661 Yisrael Levin A Theory of Poetry: Swinburne’s “A Dark Month” 647 Margot K. Louis Erotic Figuration in Swinburne’s Tristram of Lyonesse, Canto 2: The Vanishing Knight and the Drift of Butterflies 481 Stefanie Markovits Giving Voice to the Crimean War: Tennyson’s “Charge” and Maud’s Battle-song 733 Catherine Maxwell Swinburne and Thackeray’s The Newcomes 7 Richard Maxwell Unnumbered Polypi 429 Jed Mayer The Vivisection of the Snark 221 Anne C. McCarthy “Who knows if he be dead?”: Maud, Signification, and the Madhouse Cantos 619 Jerome McGann Wagner, Baudelaire, Swinburne: Poetry in the Condition of Music 101 James Nohrnberg Eight Reflections of Tennyson’s Ulysses 759 T. D. Olverson Libidinous Laureates and Lyrical Maenads: Michael Field, Swinburne and Erotic Hellenism 715 Katie Paterson “Much Regrafted Pain”: Schopenhauerian Love and the Fecundity of Pain in Atalanta in Calydon 259 Robert L. Patten The Contemporaneity of The Last Tournament 197 Timothy Peltason What the Laureate Did Next: Maud 25 Linda H. Peterson Tennyson and the Ladies 331 William H. Pritchard Epistolary Tennyson: The Art of Suspension 241 Ingrid Ranum An Adventure in Modern Marriage: Domestic Development in Tennyson’s Geraint and Enid and The Marriage of Geraint 403 Ingrid Ranum A Woman’s Castle is Her Home: Matthew Arnold’s Tristram and Iseult as Domestic Fairy Tale 611 Rikky Rooksby and Terry L. Myers Introduction to Swinburne issue 151 D. B. Ruderman The Breathing Space of Ballad: Tennyson’s Stillborn Poetics 691 Julia F. Saville Cosmopolitan Republican: Swinburne, the Immersive Poet as Public Moralist 81 W. David Shaw Tennyson and Zeno: Three Infinities 61 Gregory Tate Tennyson and the Embodied Mind 285 Dennis Taylor Tennyson’s Catholic Years: A Point of Contact 1 Herbert F. Tucker Guest Editor’s Foreword (Tennyson issue) 355 Henry Weinfield “Of happy men that have the power to die”: Tennyson’s “Tithonus” 517 Julie M. Wise From Langham Place to Lancashire: Poetry, Community, and the Victoria Press’s Offering to Lancashire ...