University of Minnesota Press
  • The Filmic Time of Coloniality: On Shinkai Makoto’s The Place Promised in Our Early Days
  • Gavin Walker
Figure 1. The Tower in Ezo visually bifurcates the backdrop of the sky. From Shinkai Makoto’s major film-length feature The Place Promised in Our Early Days (2004, Kumo no mukō, yakusoku no basho).
Figure 1.

The Tower in Ezo visually bifurcates the backdrop of the sky. From Shinkai Makoto’s major film-length feature The Place Promised in Our Early Days (2004, Kumo no mukō, yakusoku no basho).

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