Abstract

Asian American film and video evolved out of the civil rights and ethnic studies movements, sharing with them a fundamental ideology of social change. However, a closer examination of its institutional history shows how this tradition conflicted with an equally important and at times contradictory discourse of aesthetics and form.

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Additional Information

ISSN
2578-4919
Print ISSN
2578-4900
Pages
pp. 20-40
Launched on MUSE
2009-12-04
Open Access
No
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