Film History index to Volumes 18–21 (2006–09)

Film History index to Volumes 18–21 (2006–09) Back issu e index of Film History – volumes 18–21 (2006–2009) Back issue index to Volumes 18–21 (2006–09) Volume 18, Number 1, 2006 COLD-WAR GERMAN CINEMA, Edited by Marc Silberman Introduction: Cold-War German Cinema Marc Silberman Becoming democratic: Satire, satiety, and the founding of West Germany Jennifer Fay Learningfromtheenemy:DEFA-Frenchco-productionsofthe1950s Marc Silberman Home sweet home: Desperately seeking Heimat in early DEFA films Thomas Lindenberger Finding navigable waters: Inter-German film relations and modernisation in two DEFA barge films of the 1950s Stefan Soldovieri Eastside stories: Singing and dancing for socialism Andrea Rinke Realism and romance in the East German Cinema, 1952–1962 John Griffith Urang Volume 18, Number 2, 2006 WOMEN AND THE SILENT SCREEN Edited by Amelie Hastie and Shelley Stamp Introduction: Women and the Silent Screen: Cultural and Historical Practices Amelie Hastie and Shelley Stamp Elinor Glyn as Hollywood labourer Anne Morey Presenting The Smalleys, ‘collaborators in authorship and direction’ Shelley Stamp Making the ‘Studio Girl’: The Hollywood Studio Club and industry regulation of female labour Heidi Kenaga Fan discourse in the heartland: the early 1910s Richard Abel The woman film critic: Newspapers, cinema and Iris Barry Haidee Wasson ‘Melodrama of the dear old kind’: Sentimentalising British action heroines in the 1910s Jon Burrows Women in the driver’s seat: The auto-erotics of early women’s films Jennifer Parchesky Imagining sound in the Solax films of Alice Guy Blaché: Canned Harmony (1912) and Burstop Holmes’ Murder Case (1913) Barbara McBane ‘As you desire me’: Reading ‘The Divine Garbo’ through movement, silence and the sublime Melinda Szaloky Reading Mabel Normand’s library Mark Lynn Anderson The miscellany of film history Amelie Hastie Volume 18, Number 3, 2006 FILM MUSEUMS Edited by Stephen Herbert Introduction: Film Museums Stephen Herbert Film museums I have known and (sometimes) loved David Robinson Cinema museums – a worldwide list Stephen Bottomore Henri Langlois and the Musée du Cinéma Laurent Mannoni The lost museum of Henri Langlois Introduction by Richard Koszarski ‘Exhibiting cinema’: the cultural activities of the Museo Nazionale del Cinema, 1958–1971 Rinella Cere The preservation, care and exploitation of documentation related to the cinema: an unresolved issue Donata Pesenti Campagnoni Collections on display: Exhibiting artifacts in a film museum, with pride Sabine Lenk Concept William K. Everson Film museums: a bibliography Stephen Bottomore Volume 18, Number 4, 2006 DOCUMENTARY BEFORE VERITÉ Edited by Charles Musser Introduction: Documentary Before Verité Charles Musser The Film & Photo League of San Francisco Carla Leshne FILM HISTORY: Volume 21, Number 4, 2009 – p. 412 Nancy Naumburg: Vassar Revolutionary Richard Koszarski Allegory and accommodation: Vertov’s Three Songs of Lenin (1934) as a Stalinist Film John MacKay Safari adventure: forgotten cinematic journeys in Africa Amy J. Staples Presenting “a true idea of the African of to-day”: two documentary forays by Paul and Eslanda Robeson Charles Musser Land of Liberty in the World of Tomorrow Sara Beth Levavy Wildlife documentaries: from classical forms to reality TV Jan-Christopher Horak Volume 19, Number 1, 2007 CHASING REALITY Edited by Richard Koszarski Introduction: Chasing Reality Richard Koszarski The Soviet cinematic offensive in the Spanish Civil War Daniel Kowalsky Family history, film history: Dad & the Telenews TheatreCorporation Michael, Jennifer and Nathan, Jr. Aronson An experiment in ‘historically correct’ Canadian photoplays: Montreal ’s British American Film Manufacturing Co. Louis Pelletier Myth and movie making: Karl Brown and the making of Stark Love John White Constructing a priest, silencing a saint: The PCA and I Confess (1953), Amy Lawrence Actingwithfeeling:RobertDonat,the‘EmotionChart’andTheCitadel (1938), Vicky Lowe Dualling for Judy: The concept of the double in the films of Kim Novak, Vincent L. Barnett Volume 19, Number 2, 2007 FILM AND COPYRIGHT Edited by John Belton Introduction: Film and Copyright John Belton Copyright dupes: piracy and new media in Edison v. Lubin (1903) Peter Decherney Forgotten faces: why some of our cinema heritage is part of the public domain, David Pierce Documentary filmmakers’ statement of Best Practices in Fair Use Imitation of Life in a segregated Atlanta: its promotion, distribution and reception Matthew H. Bernstein and Dana F. White Notes on the split-field diopter, Paul Ramaeker...